Illustrated books -- Bibliography; Illustration of books; Printing -- History
Among non-liturgical books it is difficult to find any class for which
new illustrations were made at all freely. Several books of Chronicles
by Monstrelet, Robert Gaguin, and others have one or more cuts at the
beginning which may have been made for them, e.g. a folio cut of S.
Denis and S. Remy, with shields of arms found in the _Compendium super
Francorum gestis_ by Robert Gaguin (this, however, dates back to 1500),
a double cut of S. Louis blessed by the Pope and confronting the Turks
(found in Gaguin's _Sommaire Historial de France, c._ 1523, and
elsewhere), another double cut of Clovis baptized and in battle
(Gaguin's _Mer des Chronicques_, 1536, but much earlier), a spirited
battle scene (_Victoire du Roy contre les Venitiens_, 1510), etc. But
wherever we find illustrations in the text, there we are sure to light
on a medley of old cuts (e.g. in _Les grands chronicques de France_,
1514, Gaguin's _Chronicques_, 1516, and the _Rozier historial_, 1523),
and it will be odds that Millet's _Destruction de Troie_ will be found
contributing its woodcuts of the Trojan War as illustrations of French
history. When an original cut of this period can be found, it seldom has
the charm of the best work of the last five years of the fifteenth
century, but is usually quite good; there is, for instance, a quite
successful metal-cut with crible background of Justinian in Council in
an edition of his laws printed by Bocard for Petit in 1516, and some of
the liturgical cuts are admirable. There is thus no reason to impute the
falling off in new cuts to lack of artists. It seems clear that the
demand for illustrations had for the moment shifted to an uncritical
audience who liked (small blame to them) the fifteenth century cuts
which had delighted more educated people a generation earlier, and were
not at all particular as to their appropriateness. Meanwhile the
educated book-buyers were learning Greek and preparing themselves to
appreciate the severe, unillustrated elegance of the books of the
Estiennes, and new cuts were not needed.
Public-domain text, read in full here on John Shaqi.
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