Illustrated books -- Bibliography; Illustration of books; Printing -- History
As a side-consequence of the lapsing of the Licensing Act in 1695, it
became possible for any private person to buy a printing press, hire a
journeyman printer, and start printing any books he pleased. Several
private presses were thus set up during the second half of the
eighteenth century, the most famous of them being that of Horace Walpole
at Strawberry Hill, near Twickenham. Walpole started in 1757 by printing
two of the Odes of his friend Gray, and at intervals during the next
twenty-seven years printed several of his own works, and a few other
books, of which an edition of Grammont's _Memoires_ was the most
important. Walpole's example was followed by George Allan, M.P. for
Durham, and Francis Blomefield, the historian of Norfolk; also in the
nineteenth century by Thomas Johnes, who printed his translation of
Froissart in four large quarto volumes at his own house at Hafod in
Cardiganshire in 1803-5, and followed them up with a Joinville in 1807
and a Monstrelet in 1810. Between 1813 and 1823 Sir Egerton Brydges
caused a number of interesting literary reprints to be issued for him in
limited editions from a press in or near his house at Lee Priory in
Kent. The work of both these presses, like that of Walpole's, was
perhaps equal to the best commercial printing of its day, but was not
superior to it, and perhaps the same may be said of the few reprints
manufactured, in still more jealously limited editions, by E. V.
Utterson between 1840 and 1843 at Beldornie House, Ryde. Sir Thomas
Phillipps, who printed numerous antiquarian documents between 1822 and
1862 at Middle Hill in Worcestershire, and between 1862 and 1872 at
Cheltenham, set even less store by typographical beauty and accuracy.
The other private presses of the first half of the nineteenth century
are not more interesting, though that of Gaetano Polidori at Park
Village East, near Regent's Park, 1840-50, has become famous as having
printed Gabriel Rossetti's _Sir Hugh the Heron_ in 1843, and Christina
Rossetti's first volume of verse four years later, Polidori being the
grandfather of the young authors on their mother's side.
Public-domain text, read in full here on John Shaqi.
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