Illustrated books -- Bibliography; Illustration of books; Printing -- History
Besides these two books by Stephen Bateman, 1569 saw the issue of the
first edition of one of John Day's most famous ventures, _A Booke of
Christian Prayers, collected out of the ancient writers and best learned
in our time, worthy to be read with an earnest mind of all Christians,
in these dangerous and troublesome daies, that God for Christes sake
will yet still be mercifull vnto us_. From the presence on the back of
the titlepage of a very stiff portrait of the Queen kneeling in prayer
(rather like a design for a monumental brass), this is usually quoted as
_Queen Elizabeth's Prayer Book_. It was reprinted in 1578 (perhaps also
earlier), 1581, and 1590, and the later editions, the only ones I have
seen, ascribe the compilation to R. D., i.e. Richard Day, John Day's
clergyman son. The book is in appearance a kind of Protestant Horae,
having borders to every page divided into compartments as in the Paris
editions, showing scenes from the life of Christ, the cardinal virtues
and their opposites, the works of charity, and a Dance of Death.
Compared with the best, or even the second best, of the Horae of
Pigouchet or Kerver, the book looks cold and colourless, but the rarity
of the early editions shows that it must have been very popular.
The only other book issued by Day with borders to every page was the
(supposititious) _Certaine select prayers gathered out of S. Augustines
Meditations, which he calleth his selfe-talks with God_, which went
through several editions, of which the first is dated 1574. This is a
much less pretentious book, the borders being decorative instead of
pictorial, but it makes rather a pretty little octavo. Another 1569 book
which has cuts is the edition of Grafton's _Chronicle_ of that year,
printed by Henry Denham, but as the cuts look like a "job" lot, possibly
of German origin, and are only placed at the beginnings of sections in
the short first book, while all the history from 1066 onwards is left
unillustrated, this speaks rather of decadence than progress.
[Illustration: XXXIII. LONDON, C. BARKER, 1575
TURBERVILLE. BOOKE OF FAULCONRIE. QUEEN ELIZABETH HAWKING]
In 1581, towards the close of his career, Day was employed to print John
Derrick's _Image of Ireland_, giving an account of Sir Henry Sidney's
campaign against the Irish "wood-karnes." In some few copies this work
is illustrated with eight very large woodcuts, the most ambitious in
some respects that had ever been attempted in England. The first four
are wretchedly cut; the last four, showing Sir Henry's battle with the
rebels and his triumphal return, are both well designed and well
executed.
Public-domain text, read in full here on John Shaqi.
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