With the second of the two ventures Henry Holland was also concerned, but the expenses of the book were shared by Crispin Passe and an Arnhem bookseller named Jansen. Its title reads: "Her[omega]ologia Anglica: hoc est clarissimorum et doctissimorum aliquot Anglorum qui floruerunt ab anno Cristi MD. usque ad presentem annum MDCXX." It is in two volumes, the first containing thirty-seven plates, the second thirty. Two of these represent respectively Queen Elizabeth's tomb and the hearse of Henry Prince of Wales. All the rest are portraits of the notable personages of the reigns of Henry VIII and his successors, some of them based on drawings by Holbein, the majority on earlier prints, and all engraved by William Passe (younger brother of Simon) and his sister Magdalena. [Illustration: XXXVIII. LONDON. J. MARRIOT, 1638 QUARLES. HIEROGLYPHIKES OF THE LIFE OF MAN. PAGE 22 ENGRAVED BY W. MARSHALL] The next decade was far from productive of works illustrated with more than an engraved titlepage and a portrait, but in 1630 appeared Captain John Smith's _True Travels_ with several illustrations, one of them by Martin Droeshout; in 1634-5 came Wither's _Emblems_, with plates by William Marshall, and in 1635 Thomas Heywood's _Hierarchie of the Blessed Angels_, with an engraved title by Thomas Cecill and plates representing the several orders, Seraphim, Cherubim, and Thrones being entrusted to John Payne, Dominations to Marshall, Powers and Principalities to Glover, Virtues to Droeshout, etc. Some of the plates record the name of the patron who paid for them, another suggestion that it was money which stood most in the way of book-illustrating. In 1638 Marshall illustrated Quarles's _Hieroglyphikes of the Life of Man_, with engravings, most of which seem chiefly made up of a candle, but in one the candle is being extinguished by Death egged on by Time, and to this not very promising subject (Plate XXXVIII) Marshall, the most unequal engraver of his day, has brought some of his too rare touches of delicacy and charm. In 1640 Wenceslaus Hollar, whom Thomas Earl of Arundel had discovered at Cologne (he was born at Prague) and brought to England, published his charming costume book _Ornatus Muliebris Anglicanus_, and his larger work, _Theatrum Mulierum_, must have been almost ready when Charles I hoisted his standard at Nottingham, since it was published in 1643. After this the Civil War interfered for some time with the book trade.