A similar ring to this is in the possession of Mrs. Henderson (formerly Miss Adolphus), of London; and is said to have come to her in the female line, through her mother’s family. Charles presented it to Sir Lionel Walden on the morning in which he lost his life. It bears a miniature likeness of the King, set in small brilliants. Inside the ring are the words ‘Sic transit gloria mundi.’ A ring bearing the same inscription and a miniature of King Charles is in the collection of John Evans, Esq., F.R.S., Vice-President of the Antiquarian Society. In the family of Rogers, of Lota, a ring is still preserved as a heirloom which was presented to an ancestor by King Charles I. during his misfortunes. In the will of Robert Rogers, which was registered in the Record-office, Dublin, occurs the following paragraph: ‘And I also bequeath to Noblett Rogers the miniature portrait-ring of the martyr Charles I., given by that monarch to my ancestor, previous to his execution, and I particularly desire that it may be preserved in the name and family.’ The miniature, which is beautifully painted in enamel, and said to be by Vandyck, has been re-set in a very tasteful and appropriate style: the original settings and inscriptions exactly correspond with those on the ring in the possession of the Misses Pigott, as previously mentioned. The correspondent of ‘Notes and Queries,’ from whom I have derived this information, adds: ‘I have lately seen a ring with a portrait of Charles on ivory in a coarse and very inferior style, and in a plain gold setting. It is in the possession of a gentleman, in whose family it has remained for several generations.’ Another memorial ring of Charles I. is described in the ‘Gentleman’s Magazine’ (September 1823) as having belonged to a lady named Heanaud, who died at Chelsea in 1809. ‘The ring itself was of pure gold, and without jewellery or ornament of any kind. On the top of it was an oval of white enamel, not more than half an inch in longitudinal diameter, and apparently about an eighth of an inch in thickness. The surface was slightly convexed, and divided into four compartments, in each of which was painted one of the four cardinal virtues, which, although so minute as to be scarcely perceptible to the clearest sight, by the application of a glass appeared perfectly distinct, each figure being well proportioned, and having its appropriate attitude. By touching a secret spring the case opened and exposed to view a very beautifully-painted miniature of the unfortunate Charles, with the pointed beard, mustachios, etc., as he is usually portrayed, and, from its resemblance to the portraits generally seen of the monarch, having every appearance of being a strong likeness. Within the lid of this little box (for box, in fact, it was) were enamelled, on a dark ground, a skull and cross-bones.’