interlaced, as an emblem of the marriage vow, though still forming two
perfect rings; illustrating also the motto engraved within them, “_Was Got
zussamen füget soll Kein Mensch Scheiden_”--what God doth join no man
shall part. On the one hoop is a diamond, the emblem of power, duration,
and fidelity; and on the inside of its raised mounting, which, when joined
to the other hoop, will be concealed, are the initials of Martin Luther,
followed by a D., marking his academic title. On the corresponding surface
of the mounting of the gem of the other hoop are the initials of his wife,
Catherine von Bora, which, on the closing of the rings, necessarily lies
close to those of Luther. The gem in this side of the ring is a ruby, the
emblem of exalted love; so that the names of Catherine and Luther are
closely united, when the rings are closed, beneath the emblems of exalted
love, power, duration, and fidelity.
[Illustration: Marriage ring of Martin Luther.]
‘There can be but little doubt that these curious and interesting rings
were designed by the celebrated painter and goldsmith, Lucas Cranach, and
possibly wrought with his own hand, the marriage of his friend Luther
being a special occasion which he doubtless wished to honour with every
attention. Lucas was, indeed, one of the three select friends whom Luther
took to witness his betrothal; the others being Dr. Bugenhagen, town
preacher of Wittenberg, and the lawyer Assel, who all accompanied him to
Reichenbach’s house, where Catherine resided.’
Among the numerous articles of Shakspearian interest presented to the
Shakspeare Library and Museum at Stratford, by Miss Anne Wheler, the
surviving sister of the historian of Stratford-on-Avon, the late Mr.
Robert Bell Wheler, is a gold signet-ring described as Shakspeare’s,
having the initials ‘W. S.’ a true lover’s knot entwined between them.
[Illustration: Shakspeare’s ring (?).]
Public-domain text, read in full here on John Shaqi.
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