In the pontificate of Innocent VIII., A.D. 1486, the arbitration of the
dispute was left to Cardinal Piccolominæus, who adjudged the relic to
Perusia. The important decision was celebrated in that city by every
imaginable expression of joy, and for the greatest honour of the sacred
ring, a chapel was built for it in the church of St. Lawrence, with an
inscription, informing the reader that there the untouched mother, the
Queen of Heaven, and her spouse, were worshipped; that there in the
sanctuary of her wedding-ring she lent a gracious ear to all prayers; and
that he who gave the ring (Wintherus) defended it by his protection. The
pencil was called in to grace the more substantial labours of the
architect. A curious picture represented the High Priest in the Temple of
Jerusalem, taking Joseph and Mary by their hands to espouse them with the
venerated ring; one side of the solemnity was graced by a band of virgins,
the companions of Mary during her education; the other side was occupied
by a company of young men, Joseph’s kinsmen of the house of David, holding
their withered rods. The imagination of the artist employed one of these
in breaking his own rod across his knee, as envious of Joseph’s, which, by
its miraculous budding, had ended the hopes of all who, by the
proclamation, had become candidates for her hand. In addition to this, an
altar was raised and dedicated to St. Joseph; his statue was placed at its
side; his birthday was kept with great pomp; a society of seculars, called
his Fraternity, was instituted to serve in the chapel jointly with the
clergy of St. Lawrence; and on the joint festival of Mary and her spouse
the splendid solemnity was heightened by the solemn exhibition of the
ring, and by a picture of their miraculous nuptials being uncovered to the
eager gaze of the adoring multitude.’
The ring is said by some to have been made of one whole stone, green
jasper or a plasma, hollowed out, and itself forming both hoop and bezel,
unalloyed with any metal.
In Raffaelle’s beautiful picture, _Le Sposalizio_, Mary and Joseph stand
opposite to each other in the centre; the high-priest, between them, is
bringing their right hands towards each other; Joseph, with his right hand
(guided by the priest), is placing the ring on the third finger of the
right hand of the Virgin; beside Mary is a group of the virgins of the
Temple; near Joseph are the suitors, who break their barren wands--that
which Joseph holds in his hand has blossomed into a lily, which, according
to the legend, was the sign that he was the chosen one.
Public-domain text, read in full here on John Shaqi.
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