First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moralStimson, Frederic Jesup
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First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral
Stimson, Frederic Jesup
American fiction -- 19th century
And now comes in our hero, Arthur Holyoke; no one, even Von
Hillersdorf, is more perfect a man of the world than he. Well he places
his bow and smile, his outspoken compliment here, his whispered word
of adoration there; his coat is as well cut as Jimmy De Witt’s, who
has also come, some time later than his bride. But no one of these is
earnest, thinks Flossie, and is bored again, and glad when they all
go, and Mr. Killian Van Kull appears. Here at last is her peer, one
who can understand her. Van Kull is a frank libertine; and she likes
him for it; he does not play with foils; he is a _viveur_, like the
puissant Guy Livingstone who was the hero that her youth adored. Mamie
Livingstone, by the way, has come in too, and gone out with Charlie
Townley. Charlie has come to present to Flossie his partner’s lady,
Mrs. Tamms, and her marriageable daughters; and Mrs. Gower will have a
new pleasure to-morrow, when she meets and cuts them, driving in the
Park.
Killian stays some time; there is a dark devil in his eye to-day, and
Mrs. Gower thinks his pale face never looked so handsome. When Mr.
Wemyss is announced, he rises with a slight smile, and he too goes away.
Mrs. Gower is rude to Wemyss; she throws herself upon a sofa, and has
the migraine; he assumes his devotional manner and makes bold to take
her hand. She draws it away impatiently.
“Have you a headache?” says he. “I hoped you would let me go to drive
with you.”
The carriage is ordered; the pony-carriage that Mrs. Gower drives
herself. He gets into it, and she after him and takes the reins. It
is her whim to have no footman behind them; and Caryl does not dare
remonstrate, though he thinks of it. He supposes she is going to the
Park; but she turns down Thirty-fourth Street and drives toward the
East River. They come to the ferry; and she sends Wemyss out to get the
ticket. “Wherever are you going?” says he, returning.
“Why? Do you think I am going to elope with you?” She says it with a
slight contemptuous smile; and he is silent.
They come to the Long Island shore; and she rattles up the hill and
drives familiarly through some narrow, squalid streets, where the air
is not pleasant to breathe and the dank entries of the close brick
houses swarm with half-naked children.
Ahead of them now is the group of high chimneys and great tanks of
rusty iron; the scorching sky is a veil of brick-red smoke, chemical,
unnatural in color. The stench of oil is almost overpowering; but
Flossie drives rapidly into the gate as if it were her own park avenue
at _La Lisière_.
“Why have you come in here?” says Caryl Wemyss at last, looking, for
the once, surprised. Mrs. Gower has dropped the reins, and seems
suddenly listless.
“It was my favorite playground when I was a girl,” she answers,
finally. “It was a whim of mine to see the place again. Perhaps you did
not know that here we made our money?”
Public-domain text, read in full here on John Shaqi.
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