First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moralStimson, Frederic Jesup
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First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral
Stimson, Frederic Jesup
American fiction -- 19th century
Left alone, Gracie’s smile, which had reflected Mamie’s, changed to a
deeper look, a look that Mamie’s face could never mirror. Yes, it was
a puzzle, in a way; people so rarely seemed to care for the essentials
of things. Gracie’s notion of a man was enlightened heroism, of a woman
perfect bravery and trust, and the light in the lives of both the light
of the world that comes from another, like the sun’s. But to these
young ladies and gentlemen, the light of the world was the light of a
ball-room.
So she sat there, looking northward over the roofs and steeples, to the
bright sky-line; and perhaps, if an eye were at the other end of that
ray of light that slanted through space to meet her own, it saw a human
soul. But to the telegraph wires and brick chimneys, to Mamie and the
men near by on the roofs, it was a girl with a pretty face like another.
Human nature, they tell us; and another says, people are all alike
when it comes to the point; and the motives of mankind have ever been
the same, says a third. The course of history is thus and so; it is
human nature to do this, and take this bundle of hay rather than that;
and we are all alike, they repeat again; scholars, men, and books
repeat again, until we do become human nature--or drown ourselves in
preference.
But it is a lie. Humanity is not all alike; it is as a broad plain of
grass or weeds; and this is alike. But among it, here and there, there
flames a poppy, and above it, here and there, stands up the glorious
lily, like a halo on a flower’s stem; and beneath it breathes the sweet
and gentle violet. Hard by grow the weeds, and dock and hardy thistles;
on one stem perhaps with these, unconscious of them.
So mankind is a great crowd composed of common units, all alike; but
with them walking, mostly alone, there journeys the hero, and there the
martyr, and the woman with a soul. And the hero looks straight ahead,
sad and strong; the martyr looks up to heaven; and the soul looks about
it and breathes its fragrance to its fellows.
But the crowd is so great that these three, though they are many, yet
seem few. And they journey as they may, and work, and do, and die; but
ah me! they are lonely, for they seldom meet, each one the other; they
are fortunate if they see each other’s radiance dimly, through the
crowded field.
CHAPTER XVII.
A CULTIVATOR OF THISTLES.
Spring had come. Theatres were fuller, the opera not so full; dancing
parties were less frequent, and there began to be talk of races and of
country parties; it was no longer a rule without exception that the men
wore dress suits who were dining at Delmonico’s. Besides this, there
were also the green buds, and the crocuses, and the twitter of the
birds in Central Park.
Public-domain text, read in full here on John Shaqi.
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