TALKER. Ah, Mademoiselle Nightingale, you may indeed ask. Who is he? Is
he the Pope of Rome? Nay, he is not the Pope of Rome. Is he the Cham of
Tartary? Nay, he is not the Cham of Tartary, for an he were the Cham of
Tartary--
MOTHER. I beg you, sir, to tell us as shortly as you can who you are and
what you want.
TALKER. Madam, by nature I am a taciturn man; Silent John I am named by
my friends. I am a glum body, a reserved creature. These things you will
have already noticed. But now I will commit to you it secret, known only
to my dearest friends. Uncommunicative as I am by nature (he disappears
and reappears at the middle window), I am still more so when compelled
to hold converse with two such ornaments of their sex (he disappears
and reappears at the right-hand window) through a lattice window. Am I
getting any nearer the door?
MOTHER (resigned). Pray, sir, come in and tell us all about it. I see
that we must have your tale.
TALKER. To be exact, Madame, I have two tails who follow me about
everywhere. One is of my own poor sex, a man, a thing of whiskers; the
other has the honour to belong to that sex which--have I said it?--you
and Mademoiselle so adorn. Have I your ladyship's permission?
DAUGHTER (eagerly). Oh, Mother, let them come.
MOTHER. Well, I suppose I must have you all.
TALKER (with a bow). Madame, I shall never forget this. Though I live
to be ninety-three, this will always be engraved upon my memory. My
grandchildren climbing upon my knee will wonder sometimes of what
the old man is thinking. Little will they know--But I will attend you
further within. [He bows and disappears.]
DAUGHTER. Mother, something _is_ going to happen at last.
MOTHER. Oh, child, were you as weary as that?
[The TALKER comes in at the door, followed by the SINGER and the
FIDDLER. The SINGER is a pleasant-looking man of middle height, the
FIDDLER a tall, silent girl. The TALKER himself is short and round, with
a twinkling eye. Each wears a cap with a red feather in it.]
TALKER. Madame, your humble and most devoted servants. I have the
honour to present to you her Royal Sweetness the Princess Carissima, His
Flutiness the Duke of Bogota, and myself a mere Marquis.
DAUGHTER. Oh, Mother, they're wandering minstrels.
MOTHER. I bid you all welcome, sir.
TALKER. Permit me to expound further. The Princess--a courtesy title
bestowed by myself last Michaelmas Day--plays upon the fiddle with an
unerring beauty which makes strong men weep. You shall hear her. I pray
you have your handkerchers ready. His Flutiness the Duke--the title was
granted last Candlemas--has a voice of a rare richness. He is cursed
with a melancholy disposition most pleasing. He suffers from a surfeit
of rejected love. A most waggish companion withal.
DAUGHTER. Oh, what a shame!
SINGER. You must not believe all that Johannes says, ladies.
MOTHER. I had already learnt that much, sir.
TALKER. For myself, I play upon the pipe. You shall hear. (He plays
"cuckoo" with an air.)
Public-domain text, read in full here on John Shaqi.
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