of individuals, are in our day nearly extinct. And after an “age of reptiles,” there has come an age in which reptiles have been in great measure supplanted by mammals. Whether these vast rises and falls of different kinds of life ever undergo anything approaching to repetitions, (which they may possibly do in correspondence with those vast cycles of elevation and subsidence that produce continents and oceans,) it is sufficiently clear that Life on the Earth has not progressed uniformly, but in immense undulations. * * * * * § 97. It is not manifest that the changes of consciousness are in any sense rhythmical. Yet here, too, analysis proves both that the mental state existing at any moment is not uniform, but is decomposable into rapid oscillations; and also that mental states pass through longer intervals of increasing and decreasing intensity. Though while attending to any single sensation, or any group of related sensations constituting the consciousness of an object, we seem to remain for the time in a persistent and homogeneous condition of mind, a careful self-examination shows that this apparently unbroken mental state is in truth traversed by a number of minor states, in which various other sensations and perceptions are rapidly presented and disappear. From the admitted fact that thinking consists in the establishment of relations, it is a necessary corollary that the maintenance of consciousness in any one state to the entire exclusion of other states, would be a cessation of thought, that is, of consciousness. So that any seemingly continuous feeling, say of pressure, really consists of portions of that feeling perpetually recurring after the momentary intrusion of other feelings and ideas—quick thoughts concerning the place where it is felt, the external object producing it, its consequences, and other things suggested by association. Thus there is going on an extremely rapid departure from, and return to, that particular mental state which we regard as persistent. Besides the evidence of rhythm in consciousness which direct analysis thus affords, we may gather further evidence from the correlation between feeling and movement. Sensations and emotions expend themselves in producing muscular contractions. If a sensation or emotion were strictly continuous, there would be a continuous discharge along those motor nerves acted upon. But so far as experiments with artificial stimuli enable us to judge, a continuous discharge along the nerve leading to a muscle, does not contract it: a broken discharge is required—a rapid succession of shocks. Hence muscular contraction pre-supposes that rhythmic state of consciousness which direct observation discloses. A much more conspicuous rhythm, having longer waves, is seen during the outflow of emotion into dancing, poetry, and music. The current of mental energy that shows itself in