Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
“You mean to say you don’t remember Oliver?” Justin was opening his eyes
widely at her over the letter he was reading. He always opened his eyes
where most people would lift an eyebrow, which gave his simplest
question an air of reproachful surprise that put you quite unnecessarily
on the defensive. If you didn’t know the answer you felt guilty. But
Laura was able to run back across the years to Justin with a laugh.
“Does he—is he the one that will call you Camaralzaman?”
Justin laughed too.
“Rum kid you were. Yes. He always enquires after the harem. He won’t
know you again.”
Laura’s eyebrows were under no disabilities.
“Oh, because he’s here,” he answered them. “This letter’s been trotting
after me for weeks. Wish I’d known. We might have been bummelling about
together all this time,” he concluded regretfully.
“So we might!” Her tone matched his to a nicety.
“We must look him up first thing. Mother, you’ve got to come. You
remember Oliver? It’s funny we’ve not run into him. He’s copying at the
Uffizi.”
“Oh! He paints!” Laura ruffled up into the comically aggressive interest
that an artist or a gamecock or a pretty woman will always display when
a fellow professional is mentioned. “Is he any good?”
“‘Is he any good!’” Justin ruffled in his turn. He was always easily
moved on behalf of his dearest friend of the hour and he had your plain
man’s instinctive and unbounded admiration for the creative gift. He had
also his naïve conviction that its obverse, the critical faculty, must
nevertheless be in himself. “Of course, I don’t pretend to know anything
about _painting_,” Justin would prepare you, “but I know what I _like_,
you know!” But thus guided he was certainly safer than most, for he had
an enviable habit of liking the right things. It was as if he proved all
art with the touchstone of his own unconscious honesty. Now Laura could
not help persuading herself to like what Justin liked because Justin
liked it. She had resigned herself to admiring Oliver, though she was
sure that she never should, before Justin had finished his eulogy.
“Whom is he under?” she demanded.
“Oh, he’s on his own now, of course. I tell you he’s a big pot. He was
at the Slade though, I believe.”
“Oh? Oh, I knew some Slade people in Paris.” And then, because she could
not help it—“Their paint’s awfully muddy.”
Justin was deep in his letter again, but he came to the surface for a
moment to say paternally—
“Oh, of course! You sketch yourself a bit, don’t you? You must get him
to give you some tips.”
And she with a letter in her pocket at that moment, a cordial letter, an
almost anxiously enquiring letter, from Monsieur La Motte! But
naturally, or, if you were a man, oddly enough, it was not Justin but
Oliver Seton whom she wanted to shake.
“Is he really nice? Did _you_ like him?” she asked Mrs. Cloud when
Justin had left the room. He never sat out other people’s breakfast.
Public-domain text, read in full here on John Shaqi.
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