Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Was this Oliver? She could not see his face, but she thought it
probable. He was young, and though his clothes were Latin Quarter
French, he wore them like an Englishman, an Englishman pretending that
he was not in fancy dress.
She drew nearer. She was herself too hardened to an audience to be chary
of watching him, but she was amused and faintly contemptuous when she
saw how instantly he was embarrassed. He had been absorbed in his work,
his good work, as she critically admitted. Justin was right—the man
could paint. She had never seen a better copy, unless, indeed, it had
too vigorous a life of its own. She sympathized. This was no commission.
She guessed him a penitent, at her own trick of subduing the artistic
flesh. She observed that he had pet brushes. If this were Oliver, she
might like him after all....
And then, as I told you, he became aware of her, and began, like any
child, to show off. He did not turn: he remained elaborately
unconscious; but he intensified himself. She could not help laughing.
The breathless pause, the poised brush, the accurate dab, the hasty
retreat and long absorbed stare, the frantic rattle through his
paint-box for the unnecessary tube, it was all familiar comedy: she had
played it herself in her first nervous week at the Louvre. But he, at
twenty-five—if he were Oliver he must be quite twenty-five—could not
possibly be nervous any more.... It was pose, pure pose, very funny to
watch.... So that was Oliver! She shrugged her shoulders and strolled
on.
She would, perhaps, have had her expressive mouth more under control had
she realized that a dark canvas and a sheet of glass are an excellent
substitute for a mirror.
She glanced at her watch. She and Justin had their established
rendezvous, but it was early yet. If this were Oliver, Justin and his
mother would find him sooner or later.... It would have saved time if
Oliver had had the sense to say what he was copying.... Justin, with an
indulgent smile, had said that the omission was just like Oliver—“Head
in the clouds as usual. You know what these geniuses are.” Genius!...
What would Justin have said if any one else had sent them trapesing up
and down these endless rooms? She, Laura, did not mind for herself, of
course, but poor Mrs. Cloud would be done up.... Even she was not sorry
to rest for a moment....
She sat down thankfully on a student’s deserted stool. It was a warm,
lax day and she was, in truth, a little dazed and overborne by the
bright colours and echoing rooms and the familiar, indescribable odour
that is the breath of painted pictures, crowded hundreds of pictures,
hundreds of years old. She had only to shut her eyes to be in Paris ...
in her painting apron....
She shut them.
Public-domain text, read in full here on John Shaqi.
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