Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
“Don’t see the faintest resemblance,” he pronounced.
Oliver’s gesture implied that he would have torn his hair if he could
have afforded it.
“Do you?” said Justin to his Echo.
“_No!_” said Echo, through her nose, with a clear, contemptuous little
laugh that nettled Oliver.
But he didn’t guess how disappointed Echo was. Echo would have been
gratified if Justin had perceived that undoubtedly existing resemblance.
As it was, she was merely annoyed with Oliver for making the discovery.
If Justin didn’t admire Laura’s hair, it was certainly not Oliver’s
business to do so.... She didn’t like Oliver.... A wordy man....
But she was obliged to let him paint her. She had begun by being deaf to
his persuasions, for she knew what sitting meant: she had always been
the sacrifice of her merciless mates in the Rue Honorine when the model
had fainted or left them in the lurch. But when Oliver appealed to
Justin, and Justin opened his eyes at her, what was she to do?
Sit? Of course she must sit! It would be rather a lark. They were in for
a spell of rain and he was sick of churches. He always enjoyed watching
Oliver work, and besides, Oliver was so awfully keen to paint her. He
thought she ought to be flattered. He would sit himself, like a shot, if
his mug were any use to Oliver.
And so she sat for them, in Oliver’s big cool studio that had been a
palace pleasure-room once upon a time. The rest of the building, even
its name, had vanished out of memory, but this one room still stood,
fair and lofty as _Marina_ in the bagnio, amid the vile modern cubbies
clustering against its three walls like barnacles upon a shell. The
fourth was all windows and a great glass door that opened upon gardens.
Its lintel was upheld by columns of pinkish stone, that writhed up in
foliated spirals to a crazy capital of fruits and rams’ horns and
ribands. In the summer, said Oliver, the vine outside came clambering in
to put its tendrils and carved grapes to shame. The whitewashed walls
were brilliant with Oliver’s canvases, but on the ceiling there were the
flakes and peelings of a fresco, still witnessing that it had once been
lovely, as a skeleton leaf cries out to you that once it was green.
Laura, perched on her throne, would try to decipher the dim outlines,
till Oliver called to her not to pucker her face: and then she would
start and lose her pose and twinkle across at Justin, while Oliver swore
like a cat in Italian and apologized mellifluously in English and
arranged her again to suit his difficult taste. I am afraid she was not
a good sitter. She was still enough, but Oliver complained that she
would not look at him. He was certainly worth looking at, as he sat in
the open doorway, his dark face darker against the light, and the
overladen, fantastic column rising beside him. They had an odd air of
belonging to the same century. Justin, indeed, had once declared that
Oliver looked like an undissipated Medici; which did not quite please
Oliver.
Public-domain text, read in full here on John Shaqi.
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