Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
“I always told you she was keen. Cut us another slice. I wish you were
not quite so deaf,” for Oliver’s attention had strayed back again to
Laura.
But Laura stood and watched them while her hand flashed and hesitated
over her paper, with an air so impersonal in its very intentness that in
some fashion it removed her from them, till at last they forgot her as
one forgets the caged presence of some bright-eyed, all-attentive bird.
They sat chatting together over their sandwiches, and, what with the
sunshine and the tobacco smoke and the midday stillness, grew at last so
drowsy that Justin, for one, jumped when Laura, with a despairing
gesture that sent the charcoal flying, abandoned her easel and came to
them across the room.
“Well?” Oliver roused himself.
Laura pushed aside her hair with the back of her blackened hand. She had
managed in the last half-hour to make herself more dishevelled than
Oliver had ever seen her. She was flushed to the eyes and she looked
dead tired. But he perceived that whatever spirit had possessed her was
departed.
She answered, not him but Justin’s eyes, with a shrug, half deprecating,
half defiant.
“I’ve done. I’m afraid I’ve messed up the floor, Oliver. It’s no good,
of course. Of course I can’t. Justin, I’m a conceited ass. Any lunch
left? I’m starving. It’s—it’s an awfully tiring day.” She flung herself
into a chair. “Oliver, get me a glass.”
But Oliver, who, with an air of amused curiosity, had strolled across to
the deserted easel, was staring from her sketch to her, and from her to
Justin, and so back again to the sketch. Then he whistled—a prolonged
and penetrating whistle.
“Here, get up, Justin!” he commanded. “Let’s have a look at you.”
Justin hauled himself out of his chair with a yawn and stood to
attention. Oliver looked at him, as Laura had looked, through insolent,
narrowed lids: indeed, for an instant, there was the oddest likeness
between them, different in type as they were. When at last he addressed
her, there was a new and intimate note in his voice—
“I suppose you know what you’ve done?”
“I know what I’ve not done. I don’t want butter, Oliver, I want water.
I’m thirsty.”
But he swept on excitedly as he went to fetch her a glass.
“Oh, you’ve justified yourself. I—I’m half afraid of you. How did you
see all that? I never saw all that——”
“All what?” struck in Justin, as he considered himself critically, his
head on one side. “What are you driving at? I think it’s rather good.”
Laura smiled at them both with her mouth full.
But Oliver continued to hold forth. His eyes danced. He shook a warning
forefinger.
“You’ll be a failure, you know. This sort of thing won’t get you into
academies. What’s the use of painting what ought to be there? Eh? People
want to be photographed. Ask Justin. Isn’t that so, Justin?”
Public-domain text, read in full here on John Shaqi.
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