First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
The concluding illustration is a facsimile of the oldest American
play-bill as far as known, the original of which is in the possession
of Mr. Thomas J. McKee of New York. It is thought worthy of insertion
as a curiosity, and not as approving Mr. Seilhamer’s extensive use of
such material, which, he says, is “introduced as a part of the record
which it is the aim of this work to preserve with as much completeness
as possible,” and again, that “the monument of the actors is the record
of their work in the newspapers,” and it is due in justice to him to
state that in the two later volumes, and especially in the third, there
is much information that is new and interesting, the result, evidently,
of a very thorough examination of the Colonial and other newspapers
until within a few years of the commencement of the present century.
[Illustration: New-York, November 12, 1753.
By a Company of COMEDIANS,
At the New-Theatre, in _Nassau-Street_,
This Evening, being the 12th of _November_, will be presented,
_(By particular Desire)_
An _Historical Play_, call’d,
King RICHARD III.
CONTAINING
The Distresses and Death of King _Henry_ the VIth; the artful
Acquisition of the Crown by _Crook-back’d Richard_; the Murder of
the two young Princes in the Tower; and the memorable Battle of
_Bosworth-Field_, being the last that was fought between the Houses of
_York_ and _Lancaster_.
_Richard_, by Mr. _Rigby_.
King _Henry_, by Mr. _Hallam_.
Prince _Edward_, by Master _L. Hallam_.
Duke of _York_, by Master _A. Hallam_.
Earl of _Richmond_, by Mr. _Clarkson_.
Duke of _Buckingham_, by Mr. _Malone_.
Duke of _Norfolk_, by Mr. _Miller_.
Lord _Stanley_, by Mr. _Singleton_.
_Lieutenant_, by Mr. _Bell_.
_Catesby_, by Mr. _Adcock_.
Queen _Elizabeth_, by Mrs. _Hallam_.
Lady _Anne_, by Mrs. _Adcock_.
Duchess of _York_, by Mrs. _Rigby_.
To which will be added,
A Ballad FARCE call’d,
The _DEVIL TO PAY_.
Sir _John Loverule_, by Mr. _Adcock_.
_Jobson_, by Mr. _Malone_.
_Butler_, by Mr. _Miller_.
_Footman_, by Mr. _Singleton_.
_Cook_, by Mr. _Bell_.
_Coachman_, by Mr. _Rigby_.
_Conjurer_, by Mr. _Clarkson_.
Lady _Loverule_, by Mrs. _Adcock_.
_Nell_, by Mrs. _Becceley_.
_Lettice_, by Mrs. _Clarkson_.
_Lucy_, by Miss _Love_.
_PRICES_: BOX, 6_s._ PIT, 4_s._ GALLERY, 2_s._
No Persons whatever to be admitted behind the Scenes.
_N. B. Gentlemen and Ladies that chuse Tickets, may have them at Mr._
Parker’_s and Mr._ Gaine’_s Printing-Offices._
Money will be taken at the DOOR.
To begin at 6 o’Clock.]
FOOTNOTES:
[5] 3 Bancroft’s “History,” n. s., chap. 19.
[6] “Caribbeana,” Vol. i, p. 380. London, 1741.
Public-domain text, read in full here on John Shaqi.
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