[7] Spottiswood’s Letters, collections of the Virginia Historical Society, Vol. ii, p. 284. [8] “History of the United States of North America,” Vol. iii, p. 146, 147: London, 1836. [9] Cookes “History of the People of Virginia,” Boston, 1890. [10] Graham’s “History of the United States of North America,” Vol. i, p. 145, and note 1: London, 1836. [11] Graham, p. 146. [12] Part III, ch. 6. [13] “The Drama in New Orleans,” by John Gaisford, etc., pp. 7, 8. New Orleans, 1849. [14] Davies, “Dramatic Miscellanies,” Vol. iii, ch. 17. [15] Smith’s “History of New York” with a continuation, pp. 239, 240, 271: Albany, 1814. [16] This is an error in the writer, they were Norris and Fairbank, and the original _Sergeant Kite_ was Estcourt. [17] Life of Cibber, by Bell, Chambers ed., 105, 106. [18] A MS. volume, small 4°, Pp. (xvii), I-CXXX; Appendix, pp. XVI. Handsomely engrossed, with ornamental or fancy lettering for the title, the whole apparently the work of a professional clerk. Bound in old mottled calf, with gilt border, stamped back once gilt and lettered. POEMS BY A. H. ESQR MS. Bought from a London dealer in 1890, by William Nelson, of Paterson, New Jersey. [19] “New-York Times,” Sunday, December 15, 1895. [20] Dunlap, p. 16. [21] Dunlap gives the full cast of the “Merchant of Venice,” the first play enacted by the Hallam Company in America, at Williamsburg, September 5, 1752, as he received it from Lewis Hallam, Jr., by which it appears that Mrs. Hallam, the manager’s wife, was the _Portia_, that Miss Hallam represented _Jessica_, “her first appearance on any stage,” and an actor named Malone played _Shylock_. The author of the novel states that his wish was simply to depict some Virginia scenes and personages ten years before the Revolution, or the Virginia of 1765, and trusts that his picture is at least truthful as far as it goes, which it probably is, with the anachronism of the appearance, in the year 1765, of Miss Hallam, a young girl of about eighteen, as _Portia_, thirteen years after she had made her first appearance on the stage in the same play as _Jessica_. But liberties of this kind are pardonable in a novelist. They are taken by great authors. Scott, in his novel of Kenilworth, the scene of which romance is laid in the year 1575, represents Lord Leicester, in passing through the court-rooms, stopping to compliment Shakespeare on the success of his recent poem of Venus and Adonis, Shakespeare being then eleven years of age. The poem was printed in 1593, eighteen years after the event described by the novelist, or when Shakespeare was twenty-nine years of age. [22] 2 Dunlap, 24, 48: London ed. A CONSIDERATION OF THE OBJECTIONS MADE TO THE STAGE.