First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
“My conclusion,” he says, “is let nobody go to the Infamous _Play
House_, A place of such staring contradiction to the Strictness and
Sobriety of Religion A Place hated by God and haunted by the Devil.
Let no man I say learn to relish any thing that’s said there; For ’tis
all but poison handsomely prepared.” He objects to plays as “dilating
so much on the passion of love, which is a cunning way of stealing on
the blind side and practising upon the weakness of human nature,” that
“people love to see their passions painted no less than their persons,
that recommends the business of amours and engages inclination. It
forms passions where it does not find them. Love has a parley within,
and when the wax is prepared the impression is easily made, and when
these passions are born they thrive extremely in that nursery. They
grow strong, and when the passions are up in arms there is a mighty
contest between duty and inclination.” He further objects to plays as
encouraging the passion of revenge as nothing is more common in their
action than duels or quarrels among the leading characters. “Practices”
he says, “that are infamous in reason, capital in law, and damnable
in religion, are to the credit of the stage, and Rage and Resentment,
Blood and Barbarity are deified.” “What must we say,” he continues,
“of the more foul representations, of all the impudence in language
and gesture, can this stuff be the inclination of ladies? Is vice
so entertaining, and do they love to see the stews depicted before
them. One would think the dishonor of their own Sex the Discovery of
so much lewdness, and the treating of Human Nature so very coarsely
could have little satisfaction in it.”... “Call you this Diversion?
Can Profaneness be such an irresistible Delight?... Is the Scorn of
Christianity the Entertainment of Christians? Is it such a pleasure
to hear the Scriptures burlesqued? Is Ribaldry so very obliging and
Atheism so charming a Quality? Are we indeed willing to quit the
Privilege of our Nature; to Surrender our Charter of Immortality and
throw up the Pretenses to another Life?” And he winds up his conclusion
in these words: “In short: Nothing can be more disserviceable to
Probity and religion than the management of the _stage_. It cherishes
those Passions, and rewards those Vices which ’tis the business of
Reason to discountenance. It strikes at the Root of Principle draws
off the Inclinations from Virtue and spoils good Education, ’tis the
most effectual means to baffle the Force of Discipline, to emasculate
people’s Spirits and Debauch their Manners.”
Public-domain text, read in full here on John Shaqi.
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