First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
All this is now completely changed, as is shown conclusively by the
circumstance that Sir Henry Irving has been honored by being raised
to the dignity of a knight for his eminence as an actor. We are, in
this respect, where Greece was when the drama had reached its highest
perfection:--when Æschylus, who was an actor as well as dramatist,
commanded as an officer on the field of Marathon, where his exploits
and those of his brother were so remarkable that they were commemorated
by a descriptive painting in the theater of Athens; when Neoptolemus,
a celebrated tragic actor, was sent as one of the ambassadors to
conclude a treaty of peace with Philip; when Aristodemus, another great
tragic actor, was prominent in the political affairs of his time, was
also employed upon an embassy, and, on the proposal of Demosthenes,
was honored with a golden crown for his public services;[32] and when
Æschylus, Euripides, and Sophocles produced those plays that have ever
since been the admiration of mankind.
Dr. Franklin wished that he could, after a hundred years, return again
to this earth to see what science in the meanwhile had accomplished,
and could Collier return after the histrionic experience of the last
two centuries, it would be to see how unfounded were his conclusions
respecting the theater as an institution, and will ever be among any
people while the nation remains in a healthy condition.
In conclusion, we may say of the drama, that with the four other arts
of poetry, music, sculpture, and painting, it has been the natural
outcome of civilization; that as things that are general have always
their exceptions, there may have been races, as the Egyptians appear
to have been, who, in the development of their civilization, showed
no aptitude or desire for it; that its peculiar attraction is, as
Lord Bacon says: “That it brings the past before us as if it were the
present;” and as respects the present, that it is what Shakespeare and
Addison declared it to be, the mirror of human nature.
FOOTNOTES:
[23] I consulted Dr. Dickerman, the most eminent Egyptologist in this
country, upon this subject, and his observation was this: The state
of mind and the condition of society of the ancient Egyptians were
not such as would incline them to theatrical representations. They
had athletic sports, games, such as draughts or checkers, and games
of chance, but not such a disposition as brought people together to
witness anything. None of the buildings whose ruins have been studied
indicate that any were constructed with reference to the assembling
of people, except the processions, with priests, in the temples, and
that the Labyrinth, moreover, in the twelfth dynasty, contemporary with
Abraham, had meetings of the delegates from the different nomes, or
provinces, to discuss the political affairs of the kingdom.
[24] Smith’s Dictionary, Vol. iii, p. 997.
Public-domain text, read in full here on John Shaqi.
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