Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.Anonymous
Religion
Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.
Anonymous
Phallicism
"The Sardes, we are informed by Father Bresciani, still preserve a custom
representing this initiation by fire, but as in other Phœnician rites
and practices, without the slightest idea of their profane origin. In the
first days of spring, from one end of the island to the other, the
villagers assemble and light great fires in the piazza and at the cross
roads. The flames beginning to ascend, the children leap through them at a
bound, so rapidly and with such dexterity that when the flames are highest
it is seldom that their clothes or a hair of their head are singed. They
continue this practice till the fuel is reduced to embers, the musicians
meanwhile playing on the _lionedda_ tunes adapted to a Phyrric dance.
This, says the learned father, is a representation of the initiation
through fire into the mysteries of Moloch."[29]
"Nergal, which is a Hebrew word, was, perhaps, a perpetual fire most
religiously preserved in their Sefta, or sacred places. The Cuthites were
so called from Cuthus, which was both the name of a river and region in
Persia, and from which they were carried into Samaria in very large
numbers. Strabo confirms the existence of the sacred fire in Persia in
book fifteen. He says 'that in the temples of the worshippers of Anaitis
and Omanus, or Amanus, Persian gods among the Cappadocians, the care of
the perpetual fire was committed to magi, who were called Pyrethri, or
fire worshippers.' He further says, 'In that country there is a great
multitude of them, and likewise many temples of the Persian gods; that
they do not slay the victims with a knife, but with a certain kind of
club, as pounding them to death with a pestle; that there were also
certain chapels in which these fires were kept worthy of being remembered;
that the altar was in the centre of the chapel, and upon which there were
many cinders, and there the priests watched the inextinguishable fires;
that they entered there daily, and sang or chanted for the space of almost
an hour, at the same time holding a bundle of rods before the fire; that
they were veiled in a woollen tiara, which, fitting well on all sides,
covered their lips and jaws. These, which were built in their shrines, and
which were called Pyratheia, were the eternal fires of the magi. That
which they chanted was the theogony, or primeval history of the gods.'
Public-domain text, read in full here on John Shaqi.
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