Five Years' Explorations at Thebes: A Record of Work Done 1907-1911 by The Earl of Carnarvon and Howard CarterCarnarvon, George Edward Stanhope Molyneux Herbert, Earl of
History
Five Years' Explorations at Thebes: A Record of Work Done 1907-1911 by The Earl of Carnarvon and Howard Carter
Carnarvon, George Edward Stanhope Molyneux Herbert, Earl of
63. _Decorated rectangular coffin._ The coloration of the detail,
painted upon a strawberry-coloured ground, is similar to No. 7. On
the end panels, the goddesses _Isis_ and _Nephthys_ are standing
with the arms upheld (Pl. LX. 63).
Contents:--Two mummies of a man and a woman, lying side by side,
and covered with a shroud. Beside the head of the woman were two
grey pottery vases, and a larger one in black pottery; a dark blue
faience bowl, and a wooden kohl-pot (Pl. LXVIII. 63). The woman had
within the wrappings of the head a broken ivory comb (Pl. LXVIII.
63); and near the hands, lying loosely, were two cowroid seals (Pl.
LXXII. 63 A). The man had no ornament upon him.
63 A. _A four-stringed musical instrument_ (Pl. LXXI. 63 A). The
_neck_, _back_, and _belly_ are made of one piece of sycomore wood.
The _belly_ is hollowed out like a trough, and has its two sides
curved slightly inwards at the middle, thus forming a kind of waist
(this was probably due to the tension of the strained skin that
covered it). Across the _belly_, longitudinally, is the combined
_tail-piece_ and _bridge_ to which the lower fixed ends of the
strings are attached: the tapering end of this combined
_tail-piece_ and _bridge_ was inserted into a socket at the
juncture where the _belly_ and _neck_ join, and its lower and
broader end was bound to a protuberance, made for the purpose, at
the extreme end of the _belly_. Near the top end of the _neck_, and
into the back of it, the four _key-pegs_ for receiving the strings
are inserted. The strings themselves (their lower ends being fixed
to the combined _tail-piece_ and _bridge_), which were passed
along the side of the _neck_ and twisted round the _key-pegs_, had
their upper ends brought over the _neck_ and slipped under the
tightened portion of the strings which pressed against the side of
the _neck_ (see Fig. 92, Pl. LXXI). For a _sounding-board_, skin
was stretched over the whole of the _belly_, with an aperture left
at the juncture of the _belly_ and _neck_ to allow the combined
_tail-piece_ and _bridge_ to be inserted into its socket. The total
length of the instrument is 1·37 metres. This particular specimen I
believe to have been an actual instrument, while the others, Nos.
27, 28, and 92, were merely small models. With these models there
are slight variations in the construction, but as the main idea is
the same it is unnecessary to describe them.
64. _Plain rectangular gable-topped coffin._ Similar to No. 62, but
has no traces of colour upon it.
Public-domain text, read in full here on John Shaqi.
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