Flagg's The Far West, 1836-1837, part 1Flagg, Edmund
History
Flagg's The Far West, 1836-1837, part 1
Flagg, Edmund
Illinois -- Description and travel; Mississippi River Valley -- Description and travel; Missouri -- Description and travel
My visit at Decatur was a short one; and, after tea, just as the moon
was beginning to silver the tops of the eastern oaks, I left the
village and rode leisurely through the forest, in order to enter upon
the prairie at dawn the following day. A short distance from Decatur I
again forded the Sangamon; the same insignificant stream as ever; and,
by dint of scrambling, succeeded in attaining the lofty summit of its
opposite bank, from which the surrounding scenery of rolling
forest-tops was magnificent and sublime. From this elevation the
pathway plunged into a thick grove, dark as Erebus, save where lighted
up by a few pale moonbeams struggling through a break in the
tree-tops, or the deep-red gleamings of the evening sky streaming at
intervals along the undergrowth. The hour was a calm and impressive
one: its very loneliness made it sweeter; and that beautiful hymn of
the Tyrolean peasantry at sunset, as versified by Mrs. Hemans, was
forcibly recalled by the scene:
"Come to the sunset tree!
The day is past and gone;
The woodman's axe lies free,
And the reaper's work is done.
Sweet is the hour of rest!
Pleasant the wood's low sigh,
And the gleaming of the west,
And the turf whereon we lie."
{81} After a ride of a few miles my path suddenly emerged from the
forest upon the edge of a boundless prairie, from whose dark-rolling
herbage, here and there along the distant swells, was thrown back the
glorious moonlight, as if from the restless, heaving bosom of the
deep. An extensive prairie, beneath a full burst of summer moonlight,
is, indeed, a magnificent spectacle. One can hardly persuade himself
that he is not upon the ocean-shore. And now a wild, fresh breeze,
which all the day had been out playing among the perfumed flowers and
riding the green-crested waves, came rolling in from the prairie,
producing an undulation of its surface and a murmuring in the heavy
forest-boughs perfect in the illusion. All along the low, distant
horizon hung a thin mist of silvery gauze, which, as it rose and fell
upon the dark herbage, gave an idea of mysterious boundlessness to the
scene. Here and there stood out a lonely, weather-beaten tree upon the
plain, its trunk shrouded in obscurity, but its leafy top sighing in
the night-breeze, and gleaming like a beacon-light in the beams of the
cloudless moon. There was a dash of fascinating romance about the
scene, which held me involuntarily upon the spot until reminded by the
chill dews of night that I had, as yet, no shelter. On casting around
my eye, I perceived a low log cabin, half buried in vegetation,
standing alone in the skirt of the wood. Although a miserable
tenement, necessity compelled me to accept its hospitality, and I
entered. It consisted of a single apartment, in which two beds, two
stools, a cross-legged deal table, {82} and a rough clothes-press,
were the only household furniture. A few indispensable iron utensils
Public-domain text, read in full here on John Shaqi.
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