jokes to magnificently dressed women with diamond earrings struck them
dumb with admiration. Yet, later on, they too were fated to join in the
dance, when the stars affected to sleep on the clouds and the moon lay
wearily inattentive to the pilgrims of the night, like an invalid in a
blue boudoir. On the thick carpet by the wall attendants stood loaded
with programmes. One of them, very trim and respectable, in a white cap,
was named Clara and offered a drink by an impudent Oxonian. She giggled
with all the vanity of sixteen, happily forgetful of her husband and
of the seven children who called her mother. Yet the dance of the hours
was a venerable saraband to her, and she often wished she was in bed as
she stood listening to the familiar music. In the enclosure set apart for
the orchestra the massed musicians earned their living violently in the
midst of the gaily dressed idlers, who heard them with indifference, and
saw them as wound-up marionettes. The drummer hammered on his blatant
instrument with all the crude skill of his tribe, producing occasional
terrific noises with darting fists, while his face remained as immovable
as that of a Punchinello. A flautist piped romantically an Arcadian
measure, while his prominent eyes stared about over the chattering
audience as if in search of some one. Suddenly he gave a "couac." He had
seen his sweetheart in the distance with a youth from Christ Church. The
conductor turned on the estrade in the centre of the orchestra and
scowled at him, and he hastened to become Arcadian once again, gazing at
his flute as if the devil had entered into it. In a doorway shrouded with
heavy curtains two acting managers talked warily, their hands in retreat
behind their coat-tails. They surveyed the house and mentally calculated
the amount of money in it, raising their eyes to the more distant
promenade, at the back of which large hats covered with flowers and
feathers moved steadily to and fro. One of them curled his lips and
murmured the word "Chant." Then they both laughed and strolled out to
the bar. More men passed in. Many could not get seats, and these stood,
smoking and exchanging remarks in the broad space between the stalls and
the wall. Some of them leaned nonchalantly against it and criticised the
appearance of the seated audience, or nodded to acquaintances. Others
gathered round the bar, and a few looked at the drop-curtain as if they
thought their ascetic glances would cause it to roll up and disappear.
The overture at length ended. The stage was disclosed, and a man came
forward with a smirk, and a wriggle of gigantic feet, to sing a song.
Public-domain text, read in full here on John Shaqi.
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