How, indeed, could such a creature have power over fellow man or woman
for good or for evil? If weakness can be written without words, it seemed
written in that wasted countenance, which Cuckoo examined with a creeping
horror that numbed her like frost. As she did so, Valentine was watching
the ungraciousness of her face in the glass deepen and glide, moment by
moment, into greater ugliness, greater degradation. And as the little
light there had ever been behind those unquiet eyes, faded gradually
away, in his reflected eyes the light leaped up into fuller glare,
sparkling to unbridled triumph. And his reflected lips smiled more
defiantly, until the smile was no longer touched merely with triumph,
but with something more vehement and more malign! Cuckoo did not see
the change. She saw only herself, and her heart cried and wailed, What
good--what good to love Julian? What good to hate Valentine? What good
to fight for the man she loved against the man she loathed? As well set
a doll to move its tense joints against an army, or a scarecrow to defy
a god! Never before had she realized thoroughly the complete tragedy of
her life. Hitherto she had assisted at it in fragments, coming in for
a scene here, a scene there. Now she sat through the whole of the five
acts, and the only thing she missed was the fall of the curtain. That
remained up. But why? There was--there could be--nothing more to come,
unless a dreary recapitulation of such dreary events as had already been
displayed. Such a cup could hold no wine that was not foul, thick, and
poisonous. And she had known herself so little as to imagine that she
could really love, and that her love might fulfil itself in protection
instead of sensual gratification. Yes, vaguely she had believed that.
She had even believed that she could put on armour and do battle
against--and at this point in her desperate meditation the lady of the
feathers shifted her eyes from her own face mirrored to the face beside
it. As she did so, a sudden cry escaped from her lips. For a moment she
thought she saw the face of the dead Marr, and the hallucination was so
vivid that when it was gone and the mirror once more revealed the face
of Valentine, Cuckoo had no thought but that she had really seen Marr.
She turned sharply round and cast a glance behind her. Then:
"Did you see him?" she whispered to Valentine.
"Whom?"
"Him--Marr! He's not dead; he's here; he's here, I tell you. I see him in
the glass!"
She shivered. The room seemed spinning round with her, and the two faces
danced and sprang in the mirror, as if a hand shook it up and down, from
side to side.
"If he is here," Valentine said, "it is not in the way you fancy. Your
imagination has played you a trick."
"Didn't you--didn't you see him? Don't you see him now?"
"I see only you and myself."
As if for a joke he bent his head and peered closely at the mirror, like
a man endeavouring to discern some very pale and dim reflection there.
Public-domain text, read in full here on John Shaqi.
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