lady of the feathers, the blessed damozel of Regent Street and Piccadilly Circus, the painted and possessed, faded and degraded, wanderer of the pavements, seemed to become the centre of this wheel of circumstances, as Doctor Levillier reflected upon her. It was time for him to go to Cuckoo. Julian's descent must be stayed, before he went down, like a new Orpheus without a mission, into Hades. Valentine's influence, whether mad or sane, must be fought. It was to be a struggle, a battle of wills, of what Valentine chose to consider souls. And some prompting led the doctor to think of Cuckoo as a possible weapon. Why? Because she had even once held Julian against his will, against the intention of his soul. So the doctor at length sought the lady of the feathers. She had been passing through a period of great and benumbing desolation, believing that her last appeal, her great effort for Julian, had been a failure. For the doctor had not come to her, and Cuckoo could not tell that he was making observations for himself and that she was often in his mind. She supposed that he, like all others, laughed at her pretensions to gravity, swept her exhibition of real and honest emotion away from his memory with a sneer, considered her despair over another's ruin a vile travesty, a grinning absurdity and trick. Never had Cuckoo felt more lonely than in these days, though a vast loneliness is the constant companion of her large sisterhood. Even Jessie failed to comfort her, and she could find little courage within herself. And yet there were moments when the vigour that had led her once to defy Valentine, when the fire that had sprung up in her, as a flame may burst forth in a swamp, seemed to be near to her again. She felt a new possibility within her, stirring, striving. It was at such moments that she longed to see the doctor, and could have cursed him for not coming to her. For at such moments she seemed only waiting for a touch of sympathy, a word of encouragement, to perform some great action, some momentous deed. But the touch, the word, were lacking, and her life and experience of constant and monotonous degradation dulled the impulse, stifled the enthusiasm that she could not understand. And she fell again to brooding, and to an ignorant and vague consciousness of impotence. She bought a new hair-dye, painted her thin cheeks more heavily than ever before, and sought, almost with a wild exultation that swiftly fled away, to sink lower. The monotony of sin is one of the scourges of sin. In those days Cuckoo suffered many stripes. Her eyes grew more weary, her smile in Piccadilly more mechanical, her walk more puppet-like than ever. Life was like a moving dream of horror. And yet no day passed without a gleam of that strange sensation of ignorant power, fluttering upward, fading away, pausing, passing, dead.