Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
He was on Philmore Street now and it was very dark. He blessed
the city council for not having put in new lamp-posts as a
recent budget had recommended. Here was the red-brick Sterner
residence which marked the beginning of the avenue; here was the
Jordon house, the Eisenhaurs', the Dents', the Markhams', the
Frasers'; the Hawkins', where he had been a guest; the
Willoughbys', the Everett's, colonial and ornate; the little
cottage where lived the Watts old maids between the imposing
fronts of the Macys' and the Krupstadts'; the Craigs--
Ah . . . THERE! He paused, wavered violently--far up the street
was a blot, a man walking, possibly a policeman. After an
eternal second be found himself following the vague, ragged
shadow of a lamp-post across a lawn, running bent very low.
Then he was standing tense, without breath or need of it, in the
shadow of his limestone prey.
Interminably he listened--a mile off a cat howled, a hundred
yards away another took up the hymn in a demoniacal snarl, and
he felt his heart dip and swoop, acting as shock-absorber for
his mind. There were other sounds; the faintest fragment of song
far away; strident, gossiping laughter from a back porch
diagonally across the alley; and crickets, crickets singing in
the patched, patterned, moonlit grass of the yard. Within the
house there seemed to lie an ominous silence. He was glad he did
not know who lived here.
His slight shiver hardened to steel; the steel softened and his
nerves became pliable as leather; gripping his hands he
gratefully found them supple, and taking out knife and pliers he
went to work on the screen.
So sure was he that he was unobserved that, from the dining-room
where in a minute he found himself, he leaned out and carefully
pulled the screen up into position, balancing it so it would
neither fall by chance nor be a serious obstacle to a sudden
exit.
Then he put the open knife in his coat pocket, took out his
pocket-flash, and tiptoed around the room.
There was nothing here he could use--the dining-room had never
been included in his plans for the town was too small to permit
disposing of silver.
As a matter of fact his plans were of the vaguest. He had found
that with a mind like his, lucrative in intelligence, intuition,
and lightning decision, it was best to have but the skeleton of
a campaign. The machine-gun episode had taught him that. And he
was afraid that a method preconceived would give him two points
of view in a crisis--and two points of view meant wavering.
Public-domain text, read in full here on John Shaqi.
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