Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
Then, when Samuel and Marjorie had reached a stage in which they
sometimes touched each other's arms gently, just to show that
they were very good friends, Marjorie and her husband had one of
those ultrasensitive, supercritical quarrels that couples never
indulge in unless they care a great deal about each other. It
started with a cold mutton-chop or a leak in the gas-jet--and
one day Samuel found her in Taine's, with dark shadows under her
brown eyes and a terrifying pout.
By this time Samuel thought he was in love with Marjorie--so he
played up the quarrel for all it was worth. He was her best
friend and patted her hand--and leaned down close to her brown
curls while she whispered in little sobs what her husband had
said that morning; and he was a little more than her best friend
when he took her over to the ferry in a hansom.
"Marjorie," he said gently, when he left her, as usual, on the
porch, "if at any time you want to call on me, remember that I
am always waiting, always waiting."
She nodded gravely and put both her hands in his. "I know," she
said. "I know you're my friend, my best friend."
Then she ran into the house and he watched there until the gas
went on.
For the next week Samuel was in a nervous turmoil. Some
persistently rational strain warned him that at bottom he and
Marjorie had little in common, but in such cases there is
usually so much mud in the water that one can seldom see to the
bottom. Every dream and desire told him that he loved Marjorie,
wanted her, had to have her.
The quarrel developed. Marjorie's husband took to staying in New
York until late at night, came home several times disagreeably
overstimulated, and made her generally miserable. They must have
had too much pride to talk it out--for Marjorie's husband was,
after all, pretty decent--so it drifted on from one
misunderstanding to another. Marjorie kept coming more and more
to Samuel; when a woman can accept masculine sympathy that is
much more satisfactory to her than crying to another girl. But
Marjorie didn't realize how much she had begun to rely on him,
how much he was part of her little cosmos.
One night, instead of turning away when Marjorie went in and lit
the gas, Samuel went in, too, and they sat together on the sofa
in the little parlor. He was very happy. He envied their home,
and he felt that the man who neglected such a possession out of
stubborn pride was a fool and unworthy of his wife. But when he
kissed Marjorie for the first time she cried softly and told him
to go. He sailed home on the wings of desperate excitement,
quite resolved to fan this spark of romance, no matter how big
the blaze or who was burned. At the time he considered that his
thoughts were unselfishly of her; in a later perspective he knew
that she had meant no more than the white screen in a motion
picture: it was just Samuel--blind, desirous.
Public-domain text, read in full here on John Shaqi.
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