Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
Suddenly she drew in her breath sharply and an expression flashed
into her eyes that a practiced character reader might have
connected vaguely with the set look she had worn in the barber's
chair--somehow a development of it. It was quite a new look for
Bernice--and it carried consequences.
She went stealthily to the bureau, picked up an article that lay
there, and turning out all the lights stood quietly until her
eyes became accustomed to the darkness. Softly she pushed open
the door to Marjorie's room. She heard the quiet, even breathing
of an untroubled conscience asleep.
She was by the bedside now, very deliberate and calm. She acted
swiftly. Bending over she found one of the braids of Marjorie's
hair, followed it up with her hand to the point nearest the head,
and then holding it a little slack so that the sleeper would
feel no pull, she reached down with the shears and severed it.
With the pigtail in her hand she held her breath. Marjorie had
muttered something in her sleep. Bernice deftly amputated the
other braid, paused for an instant, and then flitted swiftly and
silently back to her own room.
Down-stairs she opened the big front door, closed it carefully
behind her, and feeling oddly happy and exuberant stepped off the
porch into the moonlight, swinging her heavy grip like a
shopping-bag. After a minute's brisk walk she discovered that her
left hand still held the two blond braids. She laughed
unexpectedly--had to shut her mouth hard to keep from emitting an
absolute peal. She was passing Warren's house now, and on the
impulse she set down her baggage, and swinging the braids like
piece of rope flung them at the wooden porch, where they landed
with a slight thud. She laughed again, no longer restraining
herself.
"Huh," she giggled wildly. "Scalp the selfish thing!"
Then picking up her staircase she set off at a half-run down the
moonlit street.
Benediction
The Baltimore Station was hot and crowded, so Lois was forced to
stand by the telegraph desk for interminable, sticky seconds
while a clerk with big front teeth counted and recounted a large
lady's day message, to determine whether it contained the
innocuous forty-nine words or the fatal fifty-one.
Lois, waiting, decided she wasn't quite sure of the address, so
she took the letter out of her bag and ran over it again.
"Darling," IT BEGAN--"I understand and I'm happier than life ever
meant me to be. If I could give you the things you've always
been in tune with--but I can't Lois; we can't marry and we can't
lose each other and let all this glorious love end in nothing.
"Until your letter came, dear, I'd been sitting here in the half
dark and thinking where I could go and ever forget you; abroad,
perhaps, to drift through Italy or Spain and dream away the pain
of having lost you where the crumbling ruins of older, mellower
civilizations would mirror only the desolation of my heart--and
then your letter came.
Public-domain text, read in full here on John Shaqi.
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