The fine tapestry behind the altar, executed by the firm of William Morris from the designs of the late Sir Edward Burne-Jones, was presented by an art-loving Eton Master, Mr. H. E. Luxmoore, in 1895, whilst the picture of Sir Galahad, hanging on the western wall, was presented by its painter, Watts. The great stained-glass east window--a source of grumbling and discontent to several generations of Etonians, who were obliged to contribute what was known as “window-money”--was executed by Willement between 1844 and 1849, being set up in bits as the contributions wrung from the boys increased. Within recent years the crude and violent tints of this costly example of the work of a bad period have been softened. The irregular curve of the external arch-mould over this window is said to be due to the circumstance that when the College Chapel was built the stones of the Parish Church (which stood in the present graveyard and was built in 1441) were used over again. [SN: A TRANSPARENT FAILURE] If the great east window is now somewhat less of a “transparent failure” than of yore, the other windows on the north and south sides of the Chapel remain specimens of bad design and colour. Those in the Ante-Chapel, however, are less glaring. The two large windows by Hardman on the north and south form the memorial to Etonians who fell in the Crimea; those at the west end are personal memorials. Below these windows are a number of tablets commemorating Etonians of note. On the floor of the Ante-Chapel is a fine slab to the memory of the late Bishop Abraham. There is also a marble statue of the Founder, by Durham, and another of Provost Goodall, who in all probability would have been appalled by the changes of 1847. The Rev. John Wilder, whose munificence served to modernise the College Chapel he had known all his life, is also here commemorated by a tablet. Besides giving £5000 to the restoration fund, he presented fourteen stained-glass windows in the choir, and decorated the reredos and east end as well as the new organ and case. Though his benefactions were animated by a generous and unselfish spirit, it is much to be regretted that he did not devote his money to some better purpose. [SN: THE LOST FONT]