Our Lady, that pilgrims flocked thither from all Tuscany for her festas, bringing divers waxen images because of the wonders, so that a great part of the loggia in front of and around Madonna was filled." Cavalcanti, too, speaks of Madonna di Or San Michele, likening her to his Lady, in a sonnet which scandalised Guido Orlandi-- "Guido an image of my Lady dwells At S. Michele in Orto, consecrate And duly worshipped. Fair in holy state She listens to the tale each sinner tells: And among them that come to her, who ails The most, on him the most doth blessing wait. She bids the fiend men's bodies abdicate; Over the curse of blindness she prevails, And heals sick languors in the public squares. A multitude adores her reverently: Before her face two burning tapers are; Her voice is uttered upon paths afar. Yet through the Lesser Brethren's jealousy She is named idol; not being one of theirs."[93] The feuds of Neri and Bianchi at this time distracted Florence; at the head of the Blacks, though somewhat their enemy, was Corso Donati; at the head of the Whites were the Cerchi and the Cavalcanti. After the horrid disaster of May Day, when the Carraja bridge, crowded with folk come to see that strange carnival of the other world, fell and drowned so many, there had been much fighting in the city, in which Corso Donati stood neutral, for he was ill with gout, and angered with the Black party. Robbed thus of their great leader, the Neri were beaten day and night by the Cerchi, who with the aid of the Cavalcanti and Gherardini rode through the city as far as the Mercato Vecchio and Or San Michele, and from there to S. Giovanni, and certainly they would have taken the city with the help of the Ghibellines, who were come to their aid, if one Ser Neri Abati, clerk and prior of S. Piero Scheraggio, a dissolute and worldly man, and a rebel and enemy against his friends, had not set fire to the houses of his family in Or San Michele, and to the Florentine Calimala near to the entrance of Mercato Vecchio. This fire did enormous damage, as Villani tells us, destroying not only the houses of the Abati, the Macci, the Amieri, the Toschi, the Cipriani, Lamberti, Bachini, Buiamonti, Cavalcanti, and all Calimala, together with all the street of Porta S. Maria, as far as Ponte Vecchio and the great towers and houses there, but also Or San Michele itself. In this disaster who knows what became of the miracle picture of Madonna? For years the loggia lay in ruins, till peace being established in 1336, the Commune decided to rebuild it, giving the work into the hands of the Guild of Silk, which, according to Vasari, employed Taddeo Gaddi as architect. The first stone of the new building was laid on July 29, 1337, the old brick piers, according to Villani, being removed, and pillars of stone set up in their stead.[94] In 1339 the Guild of Silk won leave from the Commune to build in each of these stone piers a