Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
Born in 1448, Lorenzo always believed that he owed almost everything
that was valuable in his life to his mother Lucrezia, of the noble
Florentine house of Tornabuoni, which had abandoned its nobility in
order to qualify for public office. A poetess herself, and the patron of
poets, she remained the best counsellor her son ever had. In his early
youth she had watched over his religious education, and in his
grandfather's house he had met not only statesmen and bankers, but
artists and men of letters. His first tutor had been Gentile Becchi of
Urbino, afterwards Bishop of Arezzo; from him he learned Latin, but
Argyropolus and Ficino and Landino taught him Greek, and read Plato and
Aristotle with him. Nor was this all, for we read of his eagerness for
every sort of exercise. He could play calcio and pallone, and his own
poems witness his love of hunting and of country life, and he ran a
horse often enough in the palii of Siena. He was more than common tall,
with broad shoulders, and very active. In colour dark, though he was not
handsome, his face had a sort of dignity that compelled respect, but he
was shortsighted too, and his nose was rather broad and flat. If he
lacked the comeliness of outward form, he loved all beauteous things,
and was in many ways the most extraordinary man of his age; his verse,
for instance, has just that touch of genius which seems to be wanting in
the work of contemporary poets. His love for Lucrezia Donati, in whose
honour the tournament of 1467 was popularly supposed to be held, though
in reality it was given to celebrate his betrothal with Clarice Orsini,
seems to have been merely an affectation in the manner of Petrarch, so
fashionable at that time. Certainly the Florentines, for that day at
least, wished to substitute a lady of their city for the Roman beauty,
and Lorenzo seems to have agreed with them. Like the tournament that
Giuliano held later in honour of Simonetta Vespucci, which Poliziano has
immortalised, and for which Botticelli painted a banner, this pageant of
Lorenzo's, for it was rather a pageant than a fight, was sung, too, by
Luca Pulci, and was held in Piazza S. Croce. A rumour of the splendour
of the dresses, the beauty and enthusiasm of the scene, has come down to
us, together with Lorenzo's own account of the day, and Clarice's
charming letter to him concerning it. "To follow the custom," he writes
unenthusiastically in his Memoir--"to follow the custom and do as others
do, I gave a tournament in Piazza S. Croce at a great cost, and with a
considerable magnificence; it seems about 10,000 ducats were spent.
Although I was not a great fighter, nor even a very strong hitter, I won
the prize, a helmet of inlaid silver, with a figure of Mars as a crest."
"I have received your letter, in which you tell me of the tournament
where you won the prize," writes Clarice, "and it has given me much
pleasure. I am glad you are fortunate in what pleases you and that my
Public-domain text, read in full here on John Shaqi.
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