Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
Cosimo de' Medici had a villa near the convent of S. Domenico at
Fiesole, where, as it is said, he would often go when Careggi was too
far, and the summer had turned the city into a furnace. Here, as we may
think, he may well have talked with Fra Angelico, for he would often
walk in the cloisters in the evening with the friars, and must have seen
and praised the frescoes there. These Dominicans at Fiesole had already
sent a colony to Florence, for in June 1435 they had obtained from
Pope Eugenius iv, who was then at S. Maria Novella the little church of
S. Giorgio across Arno. Seeing the order and comeliness of that convent
at Fiesole, Cosimo, on behalf of the magistrates of Florence, presented
a petition to the Pope about this time, praying that since he was
engaged on a reform of the Religious Orders, which, partly owing to the
schism and partly to the plague, were much relaxed, he would suppress
the Sylvestrians who dwelt in the old convent of S. Marco, and give it
to the Dominicans of Fiesole, who in exchange would give up their
convent of S. Giorgio, for in the centre of the city numerous and
zealous ministers were needed. Eugenius very gladly agreed to this, and
in a Bull of January 1436, S. Marco was given to the Dominican
Friars.[97] So they came down from Fiesole in procession, and went
through the city accompanied by three bishops, all the clergy, and an
immense concourse of people, and Fra Cipriano took possession of S.
Marco "in the name of his congregation." The convent at this time would
seem to have been in a deplorable state: in the previous year a fire had
destroyed much of it, and the church even was without a roof, so that
the friars were obliged to build themselves wooden cells to live in, and
to roof the church with timber. When Cosimo heard this he prepared at
once to rebuild the convent, and sent Michelozzo to see what could be
done. Michelozzo first pulled down the old cloister, leaving only the
church and the refectory; and in 1437 began to build the beautiful
convent we see to-day, completing it in 1443, at a cost of 36,000
ducats. The church which was then restored has suffered many violations
since, and is very different to-day from what it was at the end of the
fifteenth century. It was consecrated in 1442, on the feast of the
Epiphany, by Pope Eugenius in the presence of his Cardinals. The
library, Vasari tells us, was built later. It was vaulted above and
below, and had sixty-four bookcases of cypress wood filled with most
valuable books, among them later the famous collection of Niccolo
Niccoli, whose debts Cosimo paid on condition that he might dispose
freely of his books, which were arranged here by Thomas of Sarzana,
afterwards Nicholas v. The convent thus completed is "believed to be,"
says Vasari, "the most perfectly arranged, the most beautiful and most
convenient building of its kind that can be found in Italy, thanks to
the skill and industry of Michelozzo."
Public-domain text, read in full here on John Shaqi.
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