Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
Walking in the cloisters, you find the great ancient refectory of the
convent itself, which has here been turned into a museum, while another
part of it is used as a barracks; and indeed the finest cloister of the
Early Renaissance, one of the loveliest works of Brunellesco, has also
been given up to the army of Italy. The museum contains much that, in
its removal here or dilapidation, has lost nearly all its interest. The
beautiful fresco of St. Eustace, said to be the work of Andrea Castagno,
is yet full of delight, while here and there amid these old crucifixes,
tabernacles, and frescoes, by pupils of Giotto long forgotten, something
will charm you by its sincerity or naive beauty, so that you will
forget, if only for a moment, the destruction that has befallen all
around you; the convent that once housed S. Bernardino of Siena, now
noisy with conscripts, the library housed in another convent, Dominican
once, that like this has become a museum and public monument of
vandalism and rapacity.
FOOTNOTES:
[104] Cf. Crowe and Gavalcaselle, _op. cit._ vol. ii. p. 124.
[105] Crowe and Cavalcaselle, _op. cit._ vol. ii. p. 77.
[106] Crowe and Cavalcaselle, _op. cit._ vol. ii. p. 81.
[107] _Mornings in Florence_, by John Ruskin.
XVIII. FLORENCE
S. LORENZO
Something of the eager, restless desire for beauty, for antique beauty,
so characteristic of the fifteenth century--for the security and
strength of just that, may be found in S. Lorenzo and S. Spirito, those
two churches which we owe to the genius of Brunellesco, and in them we
seem to find the negation, as it were, of the puritan spirit, of all
that the Convent of S. Marco had come to mean: as though when, one day
at dawn, the peasants ploughing in some little valley in the hills, had
come upon the gleaming white body of the witch Venus, in burning the
precious statue which had lain so long in the earth, they had not been
able altogether to destroy the spirit, free at last, which in the cool
twilight had escaped them to wander about the city. It is the spirit of
Rome you come upon in S. Lorenzo, the old Rome of the Basilicas, that
were but half Christian after all, and, still in ruin, seem to remember
the Gods.
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