Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
It is, however, not a work of art at all that is perhaps the most
interesting thing in the Museo; but a model of the _Giuoco del Ponte_,
with certain banners, flags, bucklers, and such, once used by the Pisans
in their national game.[68] This _Giuoco_ was played on the Ponte di
Mezzo, by the people who lived on the north bank of the river and those
on the south, nor were the country folk excluded; and Mr. Heywood tells
us that it was no uncommon sight a quarter of a century ago "to see
hanging above the doorway of a contadino's house the _targone_ [or
shield] with which his sires played at Ponte."[69] The city and
countryside being thus divided into two camps, as it were, each chose an
army, that was divided into six _squadre_ of from thirty to sixty
_soldati_. The _squadre_ of the north were, Santa Maria with a banner of
blue and white; San Michele, whose colours were white and red; the
Calci, white and green and gold; Calcesana, yellow and black; the
Mattaccini, white, blue, and peach-blossom; the Satiri, red and black.
The southern _squadre_ were called S. Antonio, whose banner was of
flame colour, on which was a pig; S. Martino, with a banner of white,
black, and red; San Marco, with a banner of white and yellow with a
winged lion, and under its feet was the gospel, on which was written
_Pax tibi Marce_; the Leoni, with a banner of black and white; the
Dragoni, with a banner of green and white; the Delfini, with a banner of
blue and yellow. All these banners were of silk, and very large.[70]
Originally the game was played on St. Anthony's day, the 17th of
January; later, this first game came to be a sort of trial match, in
which the players were chosen for the _Battaglia generale_, which took
place on some later date agreed upon by both parties. Thus, I suppose,
if any noble visited Pisa, the _Battaglia generale_ would be fought in
his honour.
The challenge of the side defeated at the last contest having been
received, a council of war was held in both camps, and permission being
given by the authorities, on that evening, the city was illuminated. The
great procession (the _squadre_ in each camp, in the order in which I
have named them) took place on the day of battle, each army keeping to
its own side of Arno. Then the Piazza del Ponte for the northern army,
the Piazza de' Bianchi for the southern, were enclosed with palisades to
form the camps, and the battle began.
Public-domain text, read in full here on John Shaqi.
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