The Duchess was touched by the unhappiness and constancy of Maddalena,
and it is supposed that it was by her suggestion that one morning at
daylight an old woman appeared at Capponi’s bedside and bade him go
at once to the palace and fetch Maddalena, and to prepare everything
for the marriage. “In twenty-four hours,” writes an old chronicler,
“Lodovico, among other magnificent things, caused an artist to paint
a splendid and large shield with his arms and those of Maddalena,
surrounded with olive branches and the word OPTATA, a motto of his own
invention much praised for its brevity and its meaning; she being a
Vettori, and peace, symbolized by the olive, following on the victory
gained by her after war.” The wedding was a gay one and the house
not being large enough Piazza Santa Trinita was used as a ball-room.
“Comfits fell thick as hail in spring, and wine flowed like water.” The
triumph of true love was very popular among the nobles, who feared the
Duke would interfere in other marriages had he succeeded in preventing
this one.
The lovers went to live in the old Vettori palace and amused themselves
by decorating it in charming and symbolical fashion. Above the two
large windows was inscribed LODOVICUS CAPPONIUS, to show that he was
now the master of the palace and of its mistress, while the olive
with the word OPTATA served as a decoration to the capitals of the
pilasters, which bore at their base the Capponi arms on one side, the
Vettori on the other. The motto OPTATA and the olive branches appeared
also on the ornamented frieze under the first-floor windows, while on
the smaller windows, in lieu of the ornaments generally used, were the
arms of the two families.[44]
The name of the architect is unknown, but Bernardo Buontalenti, a
friend of Capponi’s, did other work for him, so he may have aided in
carrying out this memorial of faithful love; although as Signor Iodico
Del Badia remarks, nothing in the façade recalls his style.[45] In the
large saloon there is a stone fire-place, decorated with the arms, the
motto and the olive branches, and the whole room is finely frescoed by
Bernardo Poccetti with episodes from the lives of the Capponi family.
Lodovico died in 1614, and by the marriage of his grandson’s daughter,
Cassandro Capponi, the palace went to the Riccardi who sold it in 1803.
Since then it has changed hands several times, and the last owner,
Count Leonetti, sold it to M. de Witte.
PALAZZO MANNELLI
_Via de’ Bardi. No. 40._
Public-domain text, read in full here on John Shaqi.
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