Florida trails as seen from Jacksonville to Key West and from November to April inclusivePackard, Winthrop
History
Florida trails as seen from Jacksonville to Key West and from November to April inclusive
Packard, Winthrop
Florida -- Description and travel; Natural history -- Florida
After a little the spaces take you in and make you one with their
fraternity. The sun and the wind spy upon you. The broad blue eye of the
heavens looks you through and finds you fit. Thereafter you begin to see
this barren, lonely world as it is, and find it neither barren nor
lonely. The absolute level begins to show undulations, and after you
have walked it a half-score of miles you may tell the hills from the
valleys though the variation be but that of a half-foot in a quarter
section. Here is the top of a ridge which you might need a theodolite to
find if it were not that it has its own peculiar vegetation. Along this
the taller pines have crept and found permanent foothold. With them have
come the saw palmetto, accentuating the rise of inches by the dense
green vegetation of a foot or two in height. No summer floods have long
topped this ridge, else the palmettos had failed to find permanent
rooting here. Down its long slope they fall away, and though the pines
have ventured farther than they, the water has dwarfed them at first and
later left them but dead stubs a few inches in diameter and standing but
a score or so of feet high.
A study of them will show you not only the swing of the land from high
to low, but the swing of the seasons through wet to dry and back again.
During long successions of droughty years the pines have seeded down the
slope and made a small growth in the rich bottoms. Then the pendulum of
annual rainfall has swung back again and a series of wet decades have
followed. Through these the trees have failed in growth and died, with
their roots under water. Now their bareback, white stubs stand as
markers on the borders where prairie land runs into muck.
On the intervals of prairie grow the grasses, soft, brown and ripe with
last year’s growth, showing as yet but little of the green of this.
These paint all the background of the scene with their olives and tans,
as if the painter of it first made his background with grass, then set
his figures and lights and shades upon this, the gray stubs, the deep
brown trunks of living trees, the vivid green of the palmetto leaves and
gold of sunlight and purple of shadows chasing one another over all. The
high lights in all this scene are the pools. Where the long dip of the
land culminates the grasses give way to sedge and bulrush, and these to
sparkling water which catches the shine of the wide sky and throws it
back to the eye in silvery lights.
Public-domain text, read in full here on John Shaqi.
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