'Whilst the improvements were going on, in the year 1802, several pieces of very beautiful Chinese paper were presented to the Prince, who, for a time, was undecided in what way to make use of them. As the Eating room and the Library, which were between the Saloon and the new Northern wing, were no longer required for their original purposes, Mr. Robinson, on being consulted, advised the Prince to have the partition removed, and the interior formed into a Chinese gallery. This was immediately agreed to; the walls were hung with the paper described, and the other parts of the Gallery were painted and decorated in a corresponding style. About the same time, the passage room between what was, then, called the Small Drawing Room, and the New Conservatory, or Music room, at the south end of the Pavilion, was constructed in a singular manner. A space was enclosed within it, measuring twelve feet by eight, the sides and upper part of which were entirely formed of stained glass, of an oriental character, and exhibiting the peculiar insects, fruits, flowers, etc., of China. It was illuminated from without; and through it, as through an immense Chinese lantern, the communication was carried on; its effect is stated to have been extremely beautiful. Such, then, were the circumstances under which the Eastern style of decoration was first adopted at the Pavilion; and, soon afterwards, between the years 1803 and 1805, the same principle was extended to its architecture; the new Stables, which were then erected by Mr. William Porden, being considered as designed in the Hindû style. 'Although the Pavilion itself had been much enlarged, and had, recently, undergone extensive alterations, the Prince had still further changes in contemplation; and, in 1805, he issued his commands to Mr. H. Repton (who was much celebrated for his judicious practice in landscape gardening, and had already been employed in improving the grounds at Brighton), to deliver his opinion "concerning what style of architecture would be most suitable for the Pavilion." The result was made known to the Prince early in the ensuing year; and, in the spring of 1808, was communicated to the public in a folio work of much interest, which includes a series of coloured plates of proposed improvements, both in the House and Grounds. Though Mr. Repton's designs in respect to the Pavilion were never carried into effect, the arguments which he employed for giving it an Eastern character, had, doubtless, considerable influence over its present form; a short extract from his work will, therefore, be admissible.