Fitzherbert, Maria Anne, 1756-1837; George IV, King of Great Britain, 1762-1830
'The extreme compartments to the north and south, are occupied by
double Staircases, rendered light and airy in appearance by the steps
being fronted with perforated brass and iron work; the railings are of
cast iron, wrought and painted to resemble bamboo. These compartments
are illumined by horizontal lights of stained glass, of similar
elevation and accordant adornments to that of the central division
of the Gallery; the southern one exhibiting the Imperial five clawed
dragon, surrounded by flying bats, and the northern one the Chinese
bird of Royalty called the _Fum_, with other ornaments. Above the
landing place, at the north end, are also three windows, each being
embellished with a full sized representation, in stained glass, of a
Chinese god; and corresponding imitative windows are depicted over the
southern landing place. The staircases lead into an upper gallery, or
corridor, which communicates with the superior bed rooms and other
apartments. When the doors at the ends of the Gallery, which are
fronted with looking glass, are closed, an almost magical illusion is
produced, the perspective appearing interminable. The carpeting is
of English manufacture, and accords, in decoration, with the other
furniture. From the respective extremities of this Gallery, access is
obtained to the Music Room and the Banqueting Room.
'THE MUSIC ROOM.
'No verbal description, however elaborate, can convey to the mind, or
imagination of the reader, an appropriate idea of the magnificence
of this apartment; and even the creative delineations of the pencil,
combined with all the illusions of colour, would scarcely be adequate
to such an undertaking. Yet, luxuriously resplendent and costly as the
adornments are, they are so intimately blended with the refinements of
an elegant taste, that every thing appears in keeping, and in harmony.
Public-domain text, read in full here on John Shaqi.
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