'"My Lord March has not one, but several devils. He loves gambling, he loves horse-racing, he loves betting, he loves drinking, he loves eating, he loves money, he loves women, and you have fallen into bad company, Mr. Warrington, when you lighted upon his Lordship. He will play you for every acre you have in Virginia." '"With the greatest pleasure in life, Mr. Warrington!" interposes my Lord. '"And for all your tobacco, and for all your spices, and for all your slaves, and for all your oxen and asses." * * * * * '"Unfortunately, my Lord, the tobacco, and the slaves, and the asses, and the oxen, are not mine, as yet. I am just of age, and my mother--scarce twenty years older--has quite as good chance of long life as I have." '"I will bet that you survive her. I will pay you a sum now, against four times the sum to be paid at her death. I will set a fair sum over this table against the reversion of your estate in Virginia at the old lady's departure."' Certainly, it is pleasant to turn from such companions of Florizel's to another, whose only fault was his conviviality. I mean Captain Charles Morris, punch-maker and bard to the Beefsteak Society, where he met with the Prince, at his admission into the society, in 1785; and the author of the 'Clubs of London' thus describes him: [Illustration: CAPTAIN MORRIS.] 'But Charles Morris--can anyone think of the Beefsteaks without including thy revered image in the picture? The faculties of man are not equal to an abstraction so metaphysical. For many, many years, during which several of man's autumnal generations have fallen, he has been faithful to his post. He is the bard of the Society, who, in the person of this, her favourite disciple, may still boast _non caret vate sacro_, fortune has not yet struck this old deer of the forest. You should have seen him, as was his wont at the period I am speaking of, making the Society's punch, his ancient and rightful office. It was pleasing to see him at his laboratory at the side board, stocked with the varied products that enter into the composition of that nectareous mixture; then, smacking an elementary glass, or two, and giving a significant nod, the fiat of its excellence; and what could exceed the extasy with which he filled the glasses that thronged round the bowl; joying over its mantling beauties with an artist's pride, and distributing the fascinating draught '"That flames and dances in its crystal bound."' Morris's songs, which after his death were published in two volumes, under the title of 'Lyra Urbanica,' rendered him a welcome guest at Carlton House and the Pavilion; and, strange to say, he enjoyed the favour and countenance of Florizel, both as Prince and King, until the death of his royal patron. We have a very good portrait of Captain Morris, dated July 1, 1789, with the lines: