Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.Jean Paul
General
Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.
Jean Paul
German fiction -- Translations into English
"I trust that in this I am far from being like the narrow-minded
teleologists, who, to every grand sun-path, or sun-orbit of Nature,
must always be appending and intercalating little subsidiary
foot-tracks and ends in view. Such persons might permit themselves the
supposition (_I_ should be ashamed to do so) that the oscillation of
the female tongue, the use of which is sufficiently apparent in the
motion which it communicates to the atmosphere, may possibly serve to
give typical illustration to some thought or idea of a spiritual
nature--_e. g_. the female soul itself, perhaps.
"This belongs to that class of things with respect to which Kant has
said that they can neither be proved nor disproved. I myself should
rather incline, however, to the opinion that the talking of women is an
indication of the cessation of thought and mental activity--as in a
good mill the warning bell only rings when there is no corn left in the
hopper. Moreover, every husband knows that tongues are attached to
women's heads in order to give due notice, by their clanging, that some
contradiction, something irregular or impossible, is dominating in
them.[44] Similarly, H. Müller's calculating machine has a little bell
in it, which rings merely to give notice that some error has occurred
in a calculation. However, it now remains for the natural philosopher
to prosecute this inquiry, and to determine to what extent my views may
prove to be erroneous."
I may just mention that the above leaflet was written by the advocate.
He did not finish his review till the following morning. He had
intended to go on writing down his ideas on the subject of the
translation of Emilia Galotti till the money coming to him as the price
of the ideas should be enough to pay for new toes to his boots--Fecht
asked a sheet and a half for doing the pair--but he had not time for
this, as he was obliged to calculate the price of his notice by the
compositor's sight-rule, and get the money for it that very day.
The reviews were sent to the editor; the critical invoice amounted to
three florins four groschen and five pfennige. Strange! we smile when
we see the spiritual and the corporeal, intellect and hard cash, pain
and pecuniary compensation, stated as sums in proportion; but is not
our whole life an equation, a sum in "partnership" between soul and
body; and is not all action _upon_ us corporeal, and all _re_action
_from_ us spiritual?
Public-domain text, read in full here on John Shaqi.
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