Thus, then, while the flowers, if not the leaves, were falling fast from Firmian's love, Lenette's was like a rose somewhat overblown, whose beauty a touch will scatter to the earth. Her husband's endless arguments wearied her heart at length. Moreover, she was one of those women whose loveliest blossoms remain sterile and dead, unless children troop around to enjoy them, as the flowers of the vine do not produce grapes unless frequented by bees. She belonged to this class of women also in this respect, that she was born to be the spiral mainspring of a housekeeping engine--the stage-manageress of a great household theatre. Alas! the market-value of the shares, and the state of the treasury of the said theatre are well-known to everybody--from Hamburg to Ofen. Moreover, our couple, like phœnixes and giants, were childless: the two columns stood apart and unconnected, no fruit garlands twining about them to bind them one to another. Firmian had, in imagination, thoroughly rehearsed the character of _père de famille_, and dispatcher of invitations to be godfather, but it never came to a performance. What was most of all effective in breaking him away from Lenette's heart, however, was his dissimilarity to Peltzstiefel. The Schulrath had in him as much of the wearisome, the deliberately circumspect, the grave and reserved, the stiff and starched, the pompous and inflated, the heavy and the dull, as----these three lines have; but this delighted the very soul of our born housekeeper. Siebenkæs, again, was like a jerboa from morning till night. She often said to him, "I'm sure people must think you're not quite right in the head;" to which he would answer, "And am I?" He concealed the beauty of his character behind a comedy mask, and the trodden-down heels of the buskins he always wore made his stature seem shorter than it really was. The brief drama of his own life he turned into a mere burlesque and parodied epic, and it was from higher motives than mere vain folly that he so gave himself over to grotesque performances. In the first place he delighted with a deep delight in the sense of freedom of soul, and entire absence of all conventional trammels; secondly, he found pleasure in the thought that he travestied--not imitated--the follies of his fellow-men. In acting his part he had a double enjoyment--that of comedian as well as that of the spectator. A person who puts humour into action is a satirical _improvisatore_. Every male reader understands this though no female reader does. I have often wished that I could place in the hands of a woman, looking at the white sun-ray of wisdom broken into a tinted spectrum by the prism of humour, some powerful lens which should _burn_ that spectrum back into its pristine whiteness,--but it is not to be done. The fine, delicate, womanly sense of the fit, the proper, the becoming, seems to be torn and scratched by the touch of anything angular and unpolished; these souls, so firmly