Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.Jean Paul
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Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.
Jean Paul
German fiction -- Translations into English
Stiefel, confirmed bachelor though he was, wasn't going to let himself
be found wanting, on such a delightful occasion as this, at all events,
in proper politeness towards the fair sex, least of all towards a woman
whom he had begun to be so fond of, even when he was bringing her home
to be married, and whom he liked twice as much now that she was the
wife of such a dear friend, and was such a dear friend herself too. He
therefore adroitly led her to join in the conversation (which had
previously been too deep and scholarly for her) by using the three
cap-blocks as stepping-stones over to the journal of fashions; only he
slid back again sooner than he might have done to a more ancient
journal of fashions, that of Rubenius on the 'Costume of the ancient
Greeks and Romans.' He said he should be happy to lend her his sermons
every Sunday, as advocates don't deal in theology much. And when she
was looking on the floor at her feet for the snuffers which had fallen,
he held the candle down that she might see.
The next Sunday was an important day for the house (or rather rooms) of
Siebenkæs, for it introduced thereto a grander character than any who
have appeared hitherto, namely the Venner (Finance Councillor)--Mr.
Everard Rosa von Meyern, a young member of the aristocracy, who went
daily in and out at Heimlicher von Blaise's to "learn the routine of
official business;" he was also engaged to be married to a poor niece
of the Heimlicher's, who was being brought up and educated for his
heart in another part of Germany.
Thus the Venner was a character of consequence in the borough of
Kuhschnappel as well as in our 'Thorn-piece,' and this in every
political point of view. In a corporeal point of view he was much less
so. His body was stuck through his flowered garments much like a piece
of stick through a village nosegay; under the shining wing-covers of
his waistcoat (in itself a perfect animal-picture)[23] there
pulsated a thorax, perpendicular, if not absolutely concave, and his
legs had, all told, about the same amount of calf as those wooden ones
which stocking-makers put into their windows as an advertisement.
Public-domain text, read in full here on John Shaqi.
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