She was ashamed, annoyed and embarrassed, angry, and ready to cry, but had not the courage to let her indignation break out upon a gentleman of quality. She didn't speak another word then. He set her and himself at the window, and said he would read her some songs, of rather a different kind, he hoped, to those which were being hawked down in the street. For he was one of the greatest poets in Kuhschnappel, although as yet it was not so much that his verses had made him known, as that he had made his verses known. His poems, like so many others nowadays, were like the muses themselves, children of memory. Every old Frankish town has at least its one fashionable fop, a person who _fait les honneurs_; and every town, however old, prosaic, imperial-judicature-endowed, possesses its genius, its poet, and sentimentalist; often both these offices are filled by the same individual--as was the case in Kuhschnappel. The greater and likewise the lesser house of assembly looked upon Rosa as a mighty genius, smitten with the genius-epidemic-fever. This disease is something like elephantiasis, of which Troil in his travels in Iceland gives such an accurate description in twenty-four letters, and the principal features of which are that the patient is exactly like an elephant as to hair, cracks, colour, and lumps of the skin, but has not the _power_ of the elephant, and lives in a _cold_ climate. Everard took a touching elegy out of one of his pockets, the left one, in which (I mean in the elegy) a noble gentleman, lovesick, sang himself to death; and he told her he should like to read it to her, if his feelings would let him get through it without breaking down. However, the poem shortly drew more than one tear and emotion from its owner, and he, to his honour, was constrained to furnish a fresh proof of the fact that however manly and cold he and poets of his stamp can be to the heaviest sorrows of humanity, they really cannot quite contain themselves at the woes of love, but are compelled to weep at them. Meanwhile Rosa, who, like swindlers at play, always kept one eye upon a reflecting surface of some sort--water, window panes, or polished steel for instance, so as to catch a passing glimpse of the female countenance from time to time--saw by means of a little mirror in one of the rings of his left hand, in which hand he was holding the elegy, just a trace or two in Lenette's eyes of the tragic dew left there by his poem. So he pulled out of his second pocket a ballad (it is, no doubt, printed long ago) in which an innocent child murderess, with a tearful adieu to her lover, throws herself upon a sword. This ballad (very unlike his other poetical children) had real poetic merit, for luckily (for the poem at least) he was a lover of that kind himself, so that he could speak _from_ the heart _to_ the heart. It is not easy to portray the emotion and the melting pitying tears on Lenette's face; all her heart rose to her tear-dimmed eyes.