And ever and anon came on the still air the soft, eternal pulsations
of the distant sea,—sound mournfullest, most mysterious, of all
the harpings of nature. It was the sea,—the deep, eternal sea,—the
treacherous, soft, dreadful, inexplicable sea.
OLDTOWN FOLKS.
[Sidenote: The sunrise.]
The next morning showed as brilliant a getting-up of gold and purple
as ever belonged to the toilet of a morning. There was to be seen
from Asphyxia’s bedroom window a brave sight, if there had been any
eyes to enjoy it,—a range of rocky cliffs with little pin-feathers
of black pine upon them, and behind them the sky all aflame with
bars of massy light,—orange and crimson and burning gold,—and long
bright rays, darting hither and thither, touched now the window
of a farmhouse, which seemed to kindle and flash back a morning
salutation; now they hit a tall, scarlet maple, now they pierced
between clumps of pine, making their black edges flame with gold;
and over all, in the brightening sky, stood the morning star, like a
great, tremulous tear of light, just ready to fall on the darkened
world.
* * * * *
[Sidenote: October in New England.]
Nature in New England is, for the most part, a sharp, determined
matron of the Miss Asphyxia school. She is shrewd, keen, relentless,
energetic. She runs through the seasons a merciless express-train,
on which you may jump if you can, at her hours, but which knocks you
down remorselessly if you come in her way, and leaves you hopelessly
behind if you are late. Only for a few brief weeks in the autumn does
this grim, belligerent female condescend to be charming; but when
she does set about it, the veriest Circe of enchanted isles could
not do it better. Airs more dreamy, more hazy, more full of purple
light and lustre, never lay over Cyprus or Capri, than those which
each October overshadow the granite rocks and prickly chestnuts of
New England. The trees seem to run no longer sap, but some strange
liquid glow; the colors of the flowers flame up, from the cold,
pallid delicacy of spring, into royal tints wrought of the very fire
of the sun, and the hues of evening clouds. The humblest weed, which
we trod under our foot, unnoticed, in summer, changes with the first
frost into some colored marvel, and lifts itself up into a study for
a painter, just as the touch of death or adversity strikes out in a
rough nature traits of nobleness and delicacy before wholly undreamed
of.
THE CHIMNEY CORNER.
[Sidenote: Gems.]
Gems, in fact, are a species of mineral flowers; they are the
blossoms of the dark, hard mine; and what they want in perfume, they
make up in durability.
THE MAYFLOWER.
[Sidenote: Meditations of the oak.]
Public-domain text, read in full here on John Shaqi.
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