I look at the strange, old, cloudy mountains, the Eiger, the
Wetterhorn, the Schreckhorn. A kind of hazy ether floats around
them—an indescribable aerial halo—which no painter ever represents.
Who can paint the air,—that vivid blue in which these sharp peaks cut
their glittering images?
* * * * *
[Sidenote: The mysterious in nature.]
I like best these snow-pure glaciers seen through these black
pines; there is something mysterious about them when you thus
catch glimpses, and see not the earthly base on which they rest. I
recollect the same fact in seeing the cataract of Niagara through
trees, where merely the dizzying fall of water was visible, with
its foam, and spray, and rainbow; it produced an idea of something
supernatural....
Every prospect loses by being made definite. As long as we only see
a thing by glimpses, and imagine that there is a deal more that we
do _not_ see, the mind is kept in a constant excitement and play;
but come to a point where you can fairly and squarely take in the
whole, and there your mind falls listless. It is the greatest proof,
to me, of the infinite nature of our minds, that we almost instantly
undervalue what we have thoroughly attained.... I remember once,
after finishing a very circumstantial treatise on the nature of
heaven, being oppressed with a similar sensation of satiety,—that
which hath not entered the heart of man to conceive must not be
mapped out,—hence the wisdom of the dim, indefinite imagery of
the Scriptures; they give you no hard outline, no definite limit;
occasionally they part as do the clouds around these mountains,
giving you flashes and gleams of something supernatural and splendid,
but never fully unveiling.
* * * * *
[Sidenote: Cloud landscapes.]
It is odd, though, to look at those cloud-caperings; quite as
interesting, in its way, as to read new systems of transcendental
philosophy, and perhaps quite as profitable. Yonder is a great
white-headed cloud, slowly unrolling himself in the bosom of a black
pine forest. Across the other side of the road a huge granite cliff
has picked up a bit of gauzy silver, which he is winding around his
scraggy neck. And now, here comes a cascade, right over our heads;
a cascade, not of water, but of cloud; for the poor little brook
that makes it faints away before it gets down to us; it falls like
a shimmer of moonlight, or a shower of powdered silver, while a
tremulous rainbow appears at uncertain intervals, like a half-seen
spirit.
* * * * *
[Sidenote: A cascade.]
The cascade here, as in mountains generally, is a never-failing
source of life and variety. Water, joyous, buoyant son of Nature, is
calling to you, leaping, sparkling, mocking at you between bushes,
and singing as he goes down the dells. A thousand little pictures he
makes among the rocks as he goes.
* * * * *
[Sidenote: Phases of nature.]
Public-domain text, read in full here on John Shaqi.
Flowers and fruit from the writings of Harriet Beecher Stowe — John Shaqi
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