Few superber specimens of physical manhood than Walt Whitman's have appeared on this planet. "He looks like a man," said Abraham Lincoln, as his gaze followed the poet past a window of the White House. Whitman stood six feet two, his limbs and torso were splendid, and his head was magnificently proportioned. His vitality must have been wonderful, and his health was absolutely perfect until after the War, during which he too assiduously nursed the sick and wounded, to the lasting detriment of his phenomenal constitution. The flame of his life burnt on for another thirty years, but his strength was seriously undermined, and he is far better entitled to be called a martyr than many who have more cheaply earned the distinction. Walt Whitman's great personality can hardly be disputed. He impressed himself as something colossal on all who came into close contact with him. The magnetism of his presence in the military hospitals was more sanative than the doctors' physic. Men, women, and children felt glad and satisfied in his company. His large, frank, healthy nature radiated a perpetual benediction. One who knew him intimately has said that he never saw upon Whitman's features any trace of mean or evil passions. The man was thoroughly wholesome. Even his occasionally free utterances on sexuality are only sins against decorum. They do not violate nature. He never spoke on this subject with the slobbery grin of the voluptuary, or the leer of prurience. He was at such moments simply unreticent. Meaning no harm, he suspected none. In this respect he belonged to a less self-conscious antiquity, when nothing pertaining to man was common or unclean, and even the worship of the powers of generation was not without dignity and solemnity. Some of the foremost Englishmen of our time have acknowledged Whitman's greatness and sanity--notably Carlyle, Ruskin, and Tennyson. Mr. Swinburne is the only one who has unsaid his praise. Tennyson's intimacy with Whitman--always through correspondence--was simply beautiful. A superficial reader of human nature might have inquired what they had in common--the rough, amorphous American poet, and the exquisite English poet, a flower of millenniums of culture. But there is something deeper than form. It is substance. There is something deeper than language. It is manhood. And on the common ground of the deeper things of life, the American and English poets--otherwise so diverse--clasped hands, as it were, across the sundering ocean.