We owe no apology for speaking of the dead poet as "Tennyson." This is how he will be known by posterity. The rank is but the guinea's stamp, and in this case it was not requisite. A true poet's gold can neither be made more precious nor more current by empty titles. In our opinion, it is a degradation, instead of an honor, for one of nature's aristocrats to herd with the artificial nobility of an hereditary peerage. We also take the opportunity of regretting that Tennyson ever became Poet Laureate. The court poet should not survive the court dwarf and the court jester. It is painful to see a great writer grinding out professional odes, and bestowing the excrements of his genius on royal nonentities. The preposterous office of Poet Laureate should now be abolished. No poet should write for a clique or a coterie; he should appeal directly to the heart of the nation. Tennyson's funeral took place at Westminster Abbey. The heads of that establishment, following the example set by Dean Stanley, now act as body-snatchers. They appropriate the corpses of distinguished men, whether they believed or disbelieved the doctrines of the service read over their coffins. Charles Darwin's body is buried there--the great Agnostic, who repudiated Christianity; Robert Browning's too--the poet who said "I am no Christian" to Robert Buchanan. Carlyle took care that his corpse should not join the museum. Tennyson's, however, is now in the catalogue; and, it must be admitted, with more plausibility than in the case of Browning--with far more than in the case of Darwin. Christian pulpiteers, all over the country, have been shouting their praises of Tennyson as a Christian poet. They are justified in making the most of a man of genius when they possess one. We do not quarrel with them. We only beg to remark that they have overdone it. The Christianity of Tennyson is a very different thing from the Christianity they vend to the credulous multitude. There is no real evidence that Tennyson accepted the legendary part of Christianity. Even in "In Memoriam," which was published forty-three years ago, the thought is often extremely Pantheistic. It is nearly always so in the later poems. God, not Christ, became more and more the object of the poet's adoration, "Strong Son of God, immortal Love"--the first line of tne earlier poem--does not necessarily mean Christ; while the exclamation, "Ring in the Christ that is to be," is more symbolic than personal. There is also a strong hope, rather than the certitude, of a future life. No thoroughly convinced Christian could have written of The Shadow cloaked from head to foot, Who keeps the keys of all the creeds. Nay, the very deity of Christ is held loosely, if at all, in the thirty-third section, where he Whose faith has centre everywhere, Nor cares to fix itself to form. is bidden to leave his sister undisturbed when she prays; the poet exclaiming