Mr. Le Gallienne seems to feel that his theory of pain is too fantastic, so he falls back on "mystery." "We can form no possible conception," he says, "of the processes of God." Why then does he talk about them so consumedly? Ignorance is a good reason for silence, but none for garrulity. We must be "humble," says Mr. Le Gallienne, and recognise that we only exist "to the praise and glory of God." We are his servants and soldiers, and the pay is life!--"Had he willed it, this glorious gift had never been ours. We might have still slept on unsentient, unorganised, in the trodden dust." Very likely; but who could lose what he never possessed? It is a small misfortune that can never be realised. Mr. Le Gallienne leaps the final difficulty by exclaiming that "Man has no rights in regard to God." He shakes hands with St. Paul, who asserts the potter's power over the clay. Yes, but man is not clay. He lives and feels. He has rights, even against God. The parent is responsible for his child, the creator for his creature. The opposite doctrine is fit for cowards and slaves. It comes down to us from the old days, when fathers had the power of life and death over their children; it dies out as we learn that the first claim is the child's, and the first duty the parent's. Mr. Le Gallienne's god is the old celestial despot of theology in a new costume. On the question of a future life, however, we are pleased to find a vein of heterodoxy and common sense. Mr. Le Gallienne asks, with respect to the "hereafter," whether we "really care about it so much as we imagine." We talk about meeting our old friends in heaven, for instance, but do we not "meet them again already on earth--in the new ones"! It is said that if fine, cultivated personalities do not survive death, they are wasted, and have existed in vain. Mr. Le Gallienne's reply to this objection is clear, sufficient, and well expressed:-- "But how so? Have they not been in full operation for a lifetime? 'Tis a pity truly that the old fiddle should be broken at last; but then for how many years has it not been discoursing most excellent music? We naturally lament when an old piece of china is some sure day dashed to pieces; but then for how long a time has it been delighting and refining those, maybe long dead, who have looked upon it.--If there were no possibility of more such fiddles, more such china, their loss would be an infinitely more serious matter; but on this the sad-glad old Persian admonishes us:-- .... fear not lest Existence, closing your Account and mine, should know the like no more; The Eternal Saki from the bowl has pour'd Millions of Bubbles like us, and shall pour. Nature ruthlessly tears up her replicas age after age, but she is slow to destroy the plates. Her lovely forms are all safely housed in her memory, and beauty and goodness sleep secure in her heart, in spite of all the arrows of death."