United States -- Social life and customs -- Fiction
Violet is left out of them more by accident than design. The elders
simply light their cigars and stroll down the avenue. Gertrude accepts
madame's hospitality with an air of perfect equality that sits
admirably upon her. She has attended dinners at San Francisco and
various other centres, given in honor of the professor, and more await
them in Europe. She is not so dazzling and has not the air of courts,
but she has the prestige of a famous husband and has recovered some of
her youthful beauty. Irene Stanwood has not distanced her so immensely,
after all.
If madame has been surprised at some turns of fate, there is one that
has no flavor of disappointment thus far, and the crisis has nearly
passed. She has attained all that is possible; she is Floyd Grandon's
friend; she can gently crowd out other influences. He defers to her,
relies upon her judgment, discusses plans with her, and she secretly
exults in the fact that she is nearer to the strong, daring,
intellectual side of his nature than his girl-wife can ever be. The
danger of a love entanglement has passed by, he will settle to fame and
the society of his compeers, and she will remain a pretty mother to his
child, and the kind of wife who creates a wonder as to why the man has
married her.
Eugene finds her in the corner of the library one evening, alone, and
with a pat on her soft hair, says tenderly,--
"You poor little solitary girl, what are you doing?"
She glances up with bright, brave eyes, and with a bit of audacity that
would do credit to Polly, says,--
"How dare you call me poor when you know I am an heiress! As for being
little, you can tell me the more easily from Polly," and she laughs
over the chasm of solitude that she will not remark upon.
"Yes," he answers, mirthfully, "it would be sad to make a mistake now,
for I can't help loving Polly."
"Why should you? I am so glad you love her with your whole soul, for
you _do_. She will always be my dearest friend, and if you neglect
her or make her unhappy----"
"Oh, you _are_ an angel, Violet!" he cries, with actual humility. "You
are never jealous or hurt, you praise so generously, you are always
thinking how other people must be made happy. You give away everything!
I am not worth so much consideration," the crust of self-love is
pierced for a moment and shows in the tremulous voice, "but I mean to
make myself more of a man. And I can never love you any less
because----"
"Because you love Rome more," and she compels herself to give a
rippling laugh. "That is the right, true love of your life, the others
have been illusions."
"Not my love for you," he declares, stoutly. "It will always hold,
though it has changed a little. Only I wish you were----" Can he, dare
he say, "happier"?
"Don't wish anything more for me!" and she throws up her hand with a
kind of wild entreaty. "There is so much now that I can never get
around to all. You must think only of Polly's happiness."
Public-domain text, read in full here on John Shaqi.
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