Her hair, of the palest gold, would, if unshorn, have covered her figure in a soft, thick golden cloud; but shorn, it lay about her neck and ears in large, lustrous waves that left defined the contour of her beautiful head, and gave to it the aerial charm that belongs to the joyousness of youth. Her whole figure was relaxed into a posture slightly drooping; her bare arms, white as the necks of swans, hung in forgotten grace at her sides; her eyes, large, dark, poetic, and spiritual, were bent upon the floor, so that the lashes left their shadows on her cheeks, while the delicate, overcircling brows were arched high with melancholy. As the nun's funereal robes had slipped from her person had her mind slipped back into the past, that she stood thus, all the pure oval of her sensitive face stilled to an expression of brooding pensiveness? On the urn which held the ashes of her heart had some legend of happy shapes summoned her fondly to return?--some garden? some radiant playfellow of childhood summers, already dim but never to grow dimmer? Sighing deeply, she stepped across the dark circle on the floor which was the boundary of her womanhood. As she did so her eyes rested on a small table where lay a rich veil of white that she had long been embroidering for a shrine of the Virgin. Slowly, still absently, she walked to it, and, taking it up, threw it over her head, so that the soft fabric enveloped her head and neck and fell in misty folds about her person; she thinking the while only of the shrine; she looking down on this side and on that, and wishing only to judge how well this design and that design, patiently and prayerfully wrought out, might adorn the image of the Divine Mother in the church of the convent. But happening to be standing quite close to the white wall of the room with the lamp behind her, when she raised her eyes she caught sight of her shadow, and with a low cry clasped her hands, and for an instant, breathless, surveyed it. No mirrors are allowed in the convent. Since entering it Sister Dolorosa had not seen a reflection of herself, except perhaps her shadow in the sun or her face in a troubled basin of water. Now, with one overwhelming flood of womanly self-consciousness, she bent forward, noting the outline of her uncovered head, of her bared neck and shoulders and arms. Did this accidental adorning of herself in the veil of a bride, after she had laid aside the veil of the Church, typify her complete relapse of nature? And was this the lonely marriage-moment of her betrayed heart?